Small Cuts (10) Elaine

To find links to all parts of this story, please visit the Small Cuts Page. Here is more from Elaine:

I stared at my naked reflection in the full-length mirror —first sideways, then face forward. Did James really think I was fat? Granted, I had baited him with my remark about feeling fat after last night’s dinner, but he didn’t deny it. My eyes burned and I pushed my fists against them to stop the tears. I was being paranoid. I read something into every little thing James said or did. After shaking my head to clear it, I looked at myself again. Yeah, I could stand to lose a few pounds and brunch wasn’t going to help. Although, I was so nervous about meeting with Oliver, I didn’t think I’d have much of an appetite.

All night long I had wrestled with the idea of calling it off. My better angels were screaming in my ear that this was a huge mistake. Then I would rationalize —Ollie and I were friends, why shouldn’t we have brunch together? Because he told you he needed to talk to you today. Right, but that could be about anything. It didn’t have to be about what was going on between us. And just what exactly was going on between us? Nothing. Yet…. And so it went.

Despite the warm day and the humidity from last night’s storm, my self consciousness led me to dress in dark colors so as to flatter my figure. A black knit top with a deep scoop neck paired with slim fitting capris, black ballet flats and with my hair piled in a messy bun, silver hoop earrings to finish the ensemble.

Traffic was light on the way downtown and The Park Hotel had its own garage so I arrived with a little time to spare. Even so, Ollie was waiting for me in the lobby as I exited the elevator. He was standing near the entrance with his back to me. I hesitated, studying him for a minute. He wasn’t as tall as James or as handsome but Ollie had his own appeal —boyish good looks, unruly hair and a crooked smile. No wonder he was a successful salesman. Who could resist that charm?

My heart was racing and my hands were clammy as I slowly approached. I cleared my throat and said, “Hey.” He turned and smiled widely, his eyes lighting up the way they always did when he looked at me. He made a move to close the distance between us, his arms open for a hug.

This was wrong. So wrong. But how could I back out of this now? Without thinking, I did just that —I took a step back.

Header Image: Photograph by Francesca Woodman

Wednesday Workshop: Reading

I had to share this wonderful post from my friend and mentor Roger Moore. His thoughts on reading and why writers should be readers are pure gold. Enjoy!

rogermoorepoet's avatarrogermoorepoet

IMG_0167Wednesday Workshop
11 April 2018
Reading for Writers

Miguel de Cervantes once wrote that he was so fond of reading he would pick up even the scraps of paper he found in the street to read them if anything was written on them. This is well-known. What is less known is that Don Quixote, his immortal novel (DQI, 1605, DQII, 1615) is a masterpiece, not only of writing, but also of reading.

From the initial sortie, a prose transcription of an earlier short play, to the Scrutiny of the Library, Cervantes demonstrates right from the start his awareness of current trends in poetry, theatre and prose. In addition, he shows (especially DQI, chapter 47) his acquaintance with contemporary literary theory, as E. C. Riley has so ably established in Cervantes’s Theory of the Novel.

Cervantes begins with the traditional Renaissance novel (DQI, 1605) in which he experiments…

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White Flag

A poem by Meg Sorick*

It’s a war of attrition
When the cease fire is ordered
No one knows who gave the command
The result is a stalemate
Neither side can claim victory
Even though both will
And as the soldiers wearily lay down their weapons,
Trudge, exhausted from the field
Someone raises a white flag on the line
Amidst the rubble
When the smoke clears
There is nothing but devastation
As far as the eye can see

*This piece was originally a second stanza to the poem I posted a couple weeks ago: The Last Scene. I separated the two, even though the theme is the same, the structure was different. At some point I may reconstruct both parts into one poem … if I can figure it out. Because this is not about war, and The Last Scene is not about theater, they are allegorical. I feel like there needs to be another concluding stanza as well. Poetical insights welcome.

~The illustration is my own~