Small Cuts (12) Genevieve

To find links to all parts of this story, please visit the Small Cuts Page. This is what’s happening with Genevieve:

Upon discovering that I was alone in the house, I had a moment of panic, if Oliver was gone and I had lost time, just how much time had I lost? Was it only the two hours I had originally thought or was it perhaps an entire day? Was it still Sunday, or was it a weekday and Oliver had left for work? I ran to the family room, turned on the television, and flipped the channel to CNN where I was sure the date and time would be displayed across the bottom of the screen.

Breaking News, another mass shooting had happened last night —this time at a Senior Prom in a suburb of St. Paul, Minnesota. Students and teachers dead. A teenage gunman with an assault weapon took his own life when the police arrived. I took note of the date —still Sunday— and turned the TV off. I couldn’t watch. This was exactly the kind of thing that reaffirmed my decision about having children. This world was becoming a living nightmare.

I returned to the kitchen and brewed another pot of coffee, waited while the French roast dripped into the carafe. Time, time. How did I lose nearly two hours? My skin tingled —was this how it felt when your atoms flew apart? No, no, stop… I was just cold. The air conditioning had kicked on at its preprogrammed time. But the time… Think. I must have fallen asleep on my feet. The sleepless night had caught up with me. It was the only rational explanation. The other option was too dreadful to conceive: that maybe I really was in some horrible dream.

I had tried to talk to Oliver about the idea recently. He had argued that people were happy, or at least had a measure of happiness, and such a thing wouldn’t be possible if we were all in some sort of nightmare realm. That it could only be a place of abject misery and fear for everyone existing there. I disagreed. I thought of it in more personal terms. After all, what could be worse for a miserable person than to be in the company of people who were happy? Especially if those people had seemingly worse circumstances than you did and still managed to find some joy in life. No, it had to be that these happy people were some sort of incarnations inhabiting my personal hell, placed there by an external malevolent force so that I would feel guilt by comparison.

“What does that make me?” Oliver had argued. “Some sort of evil figment of your imagination?”

I didn’t know how to answer that. The other dominant thought I’d been having was that I was slipping out of existence. If Oliver was a figment of my imagination, then my reality was even more fractured than I thought. I could not lose this anchor for my existence. Oliver’s wife. I was Oliver’s wife. Genevieve, Genevieve, Genevieve. Get ahold of yourself.

Shaking my head to clear it, I laughed nervously and told him to forget it. “I’m just philosophizing again.”

“Your philosophizing always leads you down a very dark path, Gen. I don’t like it,” he said gently. “Sometimes, you scare me.”

Sometimes I scare myself, I thought.

The coffee maker beeped and I poured a cup. Oliver, Oliver, where did you go this morning? Were things between us so bad that you didn’t feel the need to tell me? What if something happens to you? How would I know?

The phone. I could check the phone. We had that app that lets you find all the devices on your account. I set my coffee mug down, sloshing the contents, and ran back to the bedroom where I had left my phone. I swiped it open and found the app. Four blinking blue dots appeared: two phones, two iPads. Three of those dots were here at home, but the fourth was in Center City, off Rittenhouse Square, the parking garage of The Park Hotel. Why? Why? Was Ollie meeting someone for brunch? Did I forget some appointment he had with a client? Or was it with a friend? What friend? We rarely did anything with anybody besides James and Elaine. Was it James? My friend James. James who was going to resurrect me. I should call James. See what he and Elaine were doing. Elaine. Elaine. Elaine. No. No, no, no, no…. it couldn’t be…

I tore off my pajamas and grabbed a shirt and jeans from my closet. Then stuffing my phone in my purse, I ran for the garage. Keys, keys. Back into the house for keys. Hit the garage door opener. Breathe. Breathe. Ignition. Reverse.

GPS. I needed the fastest way to The Park Hotel. I searched the address at the end of the driveway and started the turn by turn directions. “In 50 yards, turn left.”

Turn left. Leaving the development. Out to the boulevard, on to the highway…“merge onto 676 East, The Vine street Expressway…”

Horns, horns, shrieking tires, the crunch of metal on metal. The thump and whoosh of the airbags exploding. Shattering of glass. Screaming, someone was screaming. Then silence.

Header image: Polka Dots ~ Francesca Woodman

The Way You Move…

Adventures in fiction writing.

There are many descriptors that a writer can use to convey the physical act of walking. For example:

  • Walk
  • Run
  • Pace
  • Shuffle
  • Amble
  • Trudge
  • Hurry
  • Scurry
  • Sidle
  • Tip toe
  • Stomp
  • Trot
  • Hike
  • Meander
  • Stroll

You get the idea… However, one of the mistakes I made in my early fiction pieces –fortunately one that I caught before publishing– is to over-describe a character’s movements within a scene. Let’s suppose we are writing a scene in which a couple at home is having a conversation, while cooking together in the kitchen.

Joni walked to the refrigerator and gathered all the ingredients for the salad. Then she walked to the counter and set them in front of Graham before hurrying back to the stove to stir the soup.

That’s just two sentences, but imagine that going on throughout a 300 page novel! Every time a character makes a move, the writer doesn’t need to describe it.

Joni gathered the salad ingredients from the refrigerator and set them in front of Graham, then returned to the stove to stir the soup.

The use of a variety of descriptors for movement helps us to visualize the scene. it is part of the concept of ‘show don’t tell’ in writing. Some scenes will require a lot of movement –a fight scene, or a foot chase, for example. A heated discussion might have a character agitated and pacing or wildly gesturing. In those instances, a detailed description of their moves would be appropriate. But in a routine setting like the one above, the reader doesn’t need to see every little move a character makes.

Happy writing and productive editing!

(Header image courtesy stpaul.gov Google images)

Diverse Verse – Poetry For a Cause

Sometime last year (memory not what it used to be…) poet Richard Archer asked for submissions to what would become a third volume of verse from poets across the globe to benefit Cancer Research, UK. I offered my favorite poem: Just Burn and was delighted to be accepted for the publication. Please consider buying this marvelous collection and supporting a most worthy cause! Purchase the book here.

My contribution: Just Burn

Why do I write in the light,
When the dark is so intoxicating?
Just to keep up appearances?
Do I continue to smile though I’m dying?
How do I find my voice?
Amidst a cacophony of screaming?
I don’t want your self help diatribe.
I don’t want your power of positive thinking.

I can’t hear myself think,
Let alone pen a work of distinction.
I need a strong, stiff drink,
But that’s only self medication.
And what’s it all mean anyway?
When nothing’s going to give satisfaction?
Just a book full of ink spots,
That sits on a shelf gathering desolation.

How do I come to grips,
With my own profound unhappiness?
I’m nothing but thunderstorms and anger.
Keep your sunshine and sweetness.
I have no more words of encouragement.
It’s cruelty, competition, unfairness.
The theme for the day is belligerence.
It’s outworking displays it’s aggressiveness.

So save your kindly comments,
And your gestures of reverent concern.
For into the fires of failure,
I let the manuscripts burn.
Lick the curling hundreds of pages,
Kindle the books, at each turn,
Throw gas on the conflagration,
And I’m gone nevermore to return…