Wild Atlantic Way

A solitary stretch of pristine sand
My footprints blemish and scar
Waves heave as the storm approaches
From the west, to the Wild Atlantic shore

My hair escapes from its binding
The wind whips tendrils free
It’s raw and violent and beautiful
This angry, roiling sea

On the barren rocks, scoured by salt
I confront the ocean’s madness
Facing down Poseidon’s fury
As if I am his willing mistress

I close my eyes and lift my hands
Let the tempest soak my skin
I’m a little reckless in my abandon
As the Sea God roars and threatens

But his ferocity is seductive
I’ve never felt more alive
Flesh tingling in excitement
Against the onslaught thrive

But finally the gale subsides
The sun returns after the storm
Its rays soothe and comfort
I’m left breathless, drenched and calm

Photo my own: Donegal, Ireland

Fire Creeps In

It occurred to me Monday evening, while preparing to hit the publish button on the poem I had composed, that I often write about fire– in my poetry for certain and now, in my novel, I’ve burned down the cafe. And I suppose fire creeps into a lot of writing. It provides metaphors for all sorts of things: love, lust, war, creativity, warmth, cleansing, refining, life, death, destruction, rebirth…

I felt low that evening, as is sometimes the case after a long day. I’d begun the next chapter of the book, feeling unsatisfied with the way I’d left the previous one. The poem arose from that I think. But as I prepared my dreary little post, I reflected on why fire always seems to creep into MY writing. My approach is mostly from the death, destruction and possibly the cleansing perspectives of fire, rarely from love, lust and passion. And while I hate to psychoanalyze myself, because my mind is a messy, cluttered place these days, I couldn’t help but wonder….

I lost my paternal grandfather in a fire. My father was twenty years my mother’s senior when they married. He at fifty-five, she at thirty-five. My paternal grandparents were already in their eighties when I was born. Grandma Jennings died when I was three and I barely remember her. But Grandpa lived for a few years more. I had a lot more contact with him as a child. And as a result my memories are a lot clearer.

I was six years old when it happened.

Grandpa liked his cigars. He left one smoldering next to his favorite chair one Sunday evening before going up to bed. He must have thought it was safely stored in the ashtray but it wasn’t. The stub of the cigar either rolled or he carelessly dropped it right on the arm of the old upholstered chair. It smoldered. It consumed. It filled the house with smoke. It wasn’t a conflagration, it was a charcoal pit. When, in the light of day, the neighbors realized what was happening and called the fire department, it was too late. But Grandpa had known something was wrong. He had made it back downstairs in the smoke. They found him on the threshold of the front door in his pajamas and dressing gown. A few more steps and he would have been free.

That is the kind of information that a six year old girl most probably should have been sheltered from. But I wasn’t. I should fear fire. I should have a morbid dread of it. But I don’t. Instead, it creeps into almost everything I write.

 

Expectations

Like a coin of little value
I give the last of my reserve
Yielding the remnants of my heart
Asking nothing in return

Hoping beyond rational hope
That dreams of love are not lost
But like all my expectations
Into the furnace they’re tossed