Time Traveling

The Diary of a Writer – Meg Sorick

In the course of novel writing, there are points at which absolutely nothing of consequence is going on. That is life, is it not? When you reach one of those points in the overall plot, you do not need to record every little insignificant detail of your characters’ lives while time moves forward and the next major event occurs.

For example, in Breaking Bread, the investigation into the fire by the police, the fire department and the coroner all take some time to complete. Maya and Brad, their families and friends will be waiting around for the results of tests and the complication of clues, checks from insurance companies and so forth. I don’t need to report all of this minutiae as it happens. Instead I will scoot time ahead and as I do, summarize or infer all the things that have happened to our fictional friends along the way. You will see me doing this in the following excerpt. I have even summarized an event that I could have dragged out but chose not to for the sake of keeping to the main story. You will see what I mean.

The time traveling needs to transition smoothly, however, so the reader doesn’t feel like the story came to a screeching halt and then raced forward again. Thus, the bridging piece needs to be just the right length with the just the right amount of information included. I dithered over this next excerpt for that very reason. (Thus the delay.) I wrote and deleted, wrote and deleted scene after scene. Do I take Brad shopping for new clothes? Do I write about him figuring out where to live? Do I show Leo and Olivia moving into their new house so that Brad can have Leo’s apartment? What is Maya going to do for work? We need to know those things but they aren’t crucial to the plot. I left them out.

What about Maya having conversations with her parents and Michael to piece together what Tanya was up to? That is crucial to the plot but I decided they weren’t ready for it yet. My conclusion was to proceed ahead, adding in a detail as it needs to be explained. For example, a single sentence can let the reader know that Brad has moved into Leo’s apartment. We can assume he shopped for new clothes –he has no choice– but you don’t need to hear what he bought.

Other details can be revealed in passing or within conversation. For example, Maya and Brad can have a discussion/argument over him buying a new building and she tells him she’s going to ask for her old job back at the Philadelphia hotel. A lot of information gets revealed in a short amount of time.

And so… we time travel forward a couple of weeks to the funeral.

Header Image: The Time Machine film 1960 starring Rod Taylor and based on the story by HG Wells.

Validation

“No one forces you to ply the trade you follow. But if you do choose it, then acquit yourself to the best of your ability. And above all, you should not think of writing as a way of earning your living. If you do, your work will smell of poverty. It will be colored by your weakness and be as thin as your hunger. There are other trades which you can take up… Our opinion of you will not be any poorer, and since you will be sparing us acres of boredom, we may even think the better of you.” – Essay on Novels, The Marquis de Sade

On the face of it, that statement seems rather bleak, doesn’t it? Don’t all of us writers dream of being able to write full time, rather than fitting it in around our already busy schedules? That is certainly my ultimate goal. However, that’s not quite what the Marquis is getting at…

Writing has its peaks and valleys, soaring heights and bottomless pits. If you’ve been writing for a while, you know what that feels like. Sometimes the Muse chatters, the words flow and you scribble furiously to get it all down or tap violently on the keyboard as the story unfurls before you. It’s your best work. It’s brilliant, in fact. You read and re-read, carefully editing and correcting your errors. Then you deliver it into the world, whether it be to your blog, as a self published book on Amazon or within a query letter to an agent. You eagerly await a response.

And nothing….

You get a few likes on your blog, maybe some vague praise in the comments. “Nice work.” “Great post.” Your book languishes, sales are weak, nonexistent even. The agents are silent, or worse, dismissive… “Thank you, but your work isn’t a good fit for me. Good luck in your journey…”

It takes some spine and some determination to keep your head above water in the flood tide that is the vast ocean of writing and publishing these days.

Here is where the Marquis’ advice applies. Even if the Marquis and his notorious behavior puts you off, in many he ways his unwavering determination to follow his nature holds for us a lesson. (For some biographical details on de Sade, see The Passionate Philosopher, by Mr Cake). Maintain your artistic vision and integrity. Do not pander to popular trends among current best selling books. The world does not need another 50 Shades of anything, for example. (The irony of using that as an example in a post quoting the father of sadism is not lost on me.) Don’t lose sight of the reasons you began to write in the first place. No one should choose to write or compose solely to make a living. Rather, you must write out of love. You must write because the words would burn you from the inside if you didn’t let them out. That is the stuff we want to read.

Nevertheless, we all want to be appreciated, have readers enjoy what we write. But it is a rare thing to achieve overnight success. Yet we have all come to expect instant gratification. With so much information at our fingertips, we are confused and discouraged if we can’t have ‘it’ right this very moment. Aspiring authors need to have a long view. To continue the ‘head above water’ analogy – it’s like swimming the English Channel rather than doing a lap in a pool. There will be times when it feels like those distant shores are no closer. You may stop and tread water for a while to catch your breath. You need strong steady strokes to keep going. Slowly but surely progress is made. And if you’re lucky, you have lots of friends and family in the support boat to cheer you on.

Don’t let your desire for validation derail your dreams. Whatever you write, for whomever you write, on whatever medium you write, remember that you love to write. And that alone makes it worth it.

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Photo via English Channel Swim . com

In the interest of research

One of the little details I often include in my novels is the kinds of cars my characters drive. In fact with Breaking Bread, I’ve even included a car dealership in the story. So every year, in the spirit of researching so as to be accurate, I visit the Philadelphia Auto Show held at the Convention Center on Market Street. I can take the train from the suburbs to Jefferson Station and never have to even exit to the street to get to the show. This is where I was on Friday…

I’ve yet to give one of my characters anything more exotic than the Porsche (Brad) and the Challenger Hellcat (Jack Staley). Who doesn’t love a handsome hero in a hot car?

I love to drive. I love to shift. I want a car that’s trying to kill me…. (Not really) But inevitably I start to think about tearing down a long stretch of desert highway at top speed, windows down, stereo screaming and … I want to go.