The Lurking Dread

At the heart of every story lies a universal theme: good versus evil. The way it manifests may vary greatly, but it will be present in its many forms across all genres of fiction. To achieve the happy ending, our heroes must conquer the evil. In the tragedy, it is the evil that does the conquering. Even in humorous writing, there will be some sort of obstacle to overcome (evil) despite the comedy playing out on the pages. And because it is even present in such ‘happy’ stories, we call it conflict instead of good versus evil.

This ability to conceive the idea of evil –of suffering– is unique to human beings. Cattle, for example, don’t think ahead of time about what they will encounter upon entering the slaughterhouse. Everyone, every single one of us that has ever lived has experienced suffering and evil.  Why then, are we drawn to it in our books, music and art? Because let’s be honest, we are drawn to it. Even when there isn’t a positive outcome vis-a-vis the hero vanquishing the villain, the happily-ever-after romance, the underdog team winning the game at the buzzer. Think Greek tragedy, Shakespeare, Sylvia Plath.

In music, an entire genre –The Blues– arose from the experience of African American slaves in the Deep South.

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History of the Blues: rubber city review

Some of the greatest individual works of art as well as whole artistic movements are heavy with dread: Hieronymus Bosch, for example; Georgio de Chirico, Edward Munch, and Kay Sage are others.

For the writer, composer or artist, their art itself can be a coping mechanism. The especially gifted will tell you they are compelled to create. Without this release of creativity, they would go mad. Some ‘go mad’ anyway –the inability to manage the melancholy, the internal (or external/physical suffering) then leads to self destruction– while others are able to harness the dread and put it back in its cage when they’ve made use of it.

When we the observer, are drawn to this outlet for pain, on some level we recognize the dread lurking within. “That,” we say, “is how I feel.” “This happened to me.” “I am hurting, confused, scared, angry, desperate, lonely too.” Whatever the medium, we see in it, a mirror of our own experience. So because conflict and suffering IS the common experience of all mankind, artistic expression of that experience resonates strongly with every one of us. Art isn’t always pretty, but it is successful if it makes you feel something.

Small Cuts (8) Genevieve Continues

To find links to all parts of the story, please visit Small Cuts: A Work In Progress. Here is what Genevieve is thinking….

I had trouble falling asleep but not for the usual reason. I had hope. There might be a light at the end of the tunnel and for once, it wasn’t an oncoming train. Maybe having James for a friend was just what I needed. Losing my job made my social isolation even more apparent. I felt less of a person because of it. It was more than just a blow to my confidence or self esteem, it was as if without this job, these duties, I was ceasing to exist. I anxiously awaited the day when I would wake up next to Ollie and he wouldn’t realize I was there.

In a sense, the same thing had happened with my girlfriends from school. Over time, as we moved forward with our careers and our marriages, moved from one place to another, and yes, gotten pregnant —or in my case, remained childless— I faded from the circle. I had dutifully attended the baby showers, listened to the women speak in a language I didn’t understand, watched them coo and sigh over tiny little shoes and socks, stuffed bears and miniature bedding and blankets. With each one, I began to be less and less of a presence. No longer was I asked to help with the planning or decoration. Next, I was seated further from the piles of presents, grouped with the distant family members only invited out of obligation. I would sneak out early and no one ever noticed. My exclusion from the ‘mother club’ rendered me invisible.

I longed to be significant to someone else and at the same time, resisted it. Without that validation, it was as if I was no one at all. I had struggled to find that importance in my own family —as the middle child, I was left to fend for myself mostly. My parents had been absorbed in my older brother and my younger sister to the point that I needed to misbehave in order to garner their attention. Frankly, I didn’t have it in me to rebel too terribly much and as a result, was largely ignored as a child. So I found myself identified as Allison’s sister, Craig’s sister, Josephine and Steven’s daughter and now, Oliver’s wife. Who was the woman I looked at in the mirror every morning? Genevieve might exist in the mirror but she did not reside within this flesh. She was a vague, ephemeral force that flitted in and out of existence as she was seen and defined by the rest of the people who intermittently stepped into the same space, the same time that the force happened to simultaneously occupy. When the moment passed, when they moved on, she was gone…

If I had a baby, if I bore a child, I would become ‘baby’s mother’ —even less of a woman, a being, a self, than I already struggled to be.

Where was I? James. Yes, I had lost my train of thought.

A friend —that was what I needed. An independent source of acknowledgement, substantiation, confirmation that I was legitimate, valid, solid, real. And important on a different level than I was accustomed to. Men and women interacted with each other so much differently than women did with other women. There would be no competition, no judgment, no comparison to an ideal I couldn’t possibly achieve. I believed that James had the potential to ‘see’ me and not as the Genevieve in the mirror. I finally drifted off to sleep with that thought in mind —James would bring me back to life.

By the morning, however, I began to doubt. I awoke to Oliver’s soft snoring in the half light of dawn. He was sleeping on his back, one arm thrown back over the top of his head. I reached over and laid my hand on his chest. He didn’t move, didn’t shift, didn’t break the rhythm of his breathing. I had no effect whatsoever. The specter that was Genevieve did not penetrate his dreams. What would the waking Oliver find? Was this the day Gen would fade away for good?

I pulled my robe on and slipped from the bedroom. It was 6:15 am —too early for anyone in the neighborhood to be up and about, save for the religious and maybe the dedicated athlete. I made coffee and stared out the window as it brewed. Across the roofs of the houses, a trio of vultures circled. A dead thing in the field below. Were they waiting for the predators to finish their meal before swooping in and gleaning from the corpse? Or was there a sort of protocol they followed for claiming the residue of a kill? I didn’t know. I stared at them on their invisible, mid-heaven carousel. I blinked. They were gone.

The coffee maker had shut itself off. I had lost time. It was nearly 9:00 according to the clock on the stove. The house was as silent as a tomb. I hurried back to the bedroom and found it deserted. The bathroom was warm and humid from the residual steam of the shower. Oliver’s towel was damp and the scent of his aftershave lingered on the air.

“Ollie?” I called, knowing there would be no answer.

“Oliver!” I shouted as I raced to the garage and confirmed what I already knew. His car was gone. He was gone. And I wondered if he forgotten to say goodbye or if he had finally forgotten about me altogether.

Header image ~ The Mirror’s Eye, by Meg Sorick

Pitch Black

She was as welcome
As a ray of sunshine…
On a parched desert world
Devoid of life
Atmosphere burned away
By hydrocarbons

She was as wanted
As a downpour…
On the day of the funeral
The mourners soaked
With cold rain
And bitter tears

She was as loved
As an armistice…
On the final day of a war
In which your son
Was the last one
To die

She was as pitch black
As the agony in her broken heart

I pulled the first stanza of this poem straight out of a comment I made yesterday about being a ray of sunshine… the rest of it just sort of fell into place after that. Header Image: Agony and Ecstasy -Paul Lovering