Shameless self promotion No. 1

In case you were curious about my books but too lazy to visit The Bucks County Novels page on my blog, I’ll make it easy for you. Three Empty Frames is the first novel in the series, set in Doylestown, the seat of Bucks County and about twenty minutes from my home in West Rockhill. Here is a synopsis of the story:

Three Empty Frames_02_HR_front_2Life just got complicated for Jennifer Dunne. Her dead mother’s diary has revealed clues to a famous art heist from the 1960s. Have the missing masterpieces been hidden among her things all this time? Jen is targeted by a pair of ruthless criminals who certainly think so. Meanwhile, she’s falling in love with her new lawyer, who works with her to unravel the clues. But will the fledgling relationship survive when another handsome rival appears on the scene? And have the clues to the whereabouts of the missing masterpieces led them astray? Were the paintings hidden in plain sight all along?

Available on Amazon.  Find it here!

Featured Image -- 19436And visit my Amazon Author Page to check out the other titles.

 

He said, she said… Writing dialogue.

My writing is filled with dialogue. I’ve always played my stories out as films in my head and often wonder if they’d make good screenplays. After submitting some of my work for professional critique to a group of published writers and a couple of agents, I received positive feedback on the writing and on the dialogue in particular. The back and forth banter between characters should be natural, not stiff and formal. Sometimes the rules of grammar get bent or even broken! With that in mind, I decided to repost this short primer on writing dialogue for newer writers out there.  – Meg

In this post, I decided to cover a grammar topic that I had to brush up on when I began this writing journey. The stories I write tend to be filled with conversation and there are rules to follow closely and rules you can break with impunity. That’s the interesting thing about writing dialogue; it’s the one time it’s permissible to use bad grammar!

“What?!?” you ask, outraged. “How can this be?”

Well, let me explain.

You are aware, I’m sure, that in casual conversation, many of the rules of grammar are regularly thrown out the window. For example, your characters might use regional terminology, slang and/or colloquialisms. If you’re in South Philadelphia, meeting your friends at the baseball park, one of them might say in greeting, “Yo! How you doin’?” Translation: “Hello, how are you doing?” But you’d never write it that way. In Philadelphia you don’t “go to the beach” you “go down the shore,” and there are more.

Another situation is in the the use of “who” and “whom.” Unless you are an English professor, it’s likely that you would ask the friends headed to the beach: “who are you going with?” rather than the proper, “with whom are you going?” because really, who talks like that? (Sorry English professors.)

Those brief examples demonstrate how it’s perfectly acceptable to let your characters use bad grammar within their conversations. However, while the dialogue itself may venture outside the rules, the way you write the speech demands the use of proper punctation, especially when it involves quotation marks.  Let’s look at a few common rules to follow:

1. Periods, commas, question marks and exclamation points all go inside the quotation marks. The sentence doesn’t end with the speech if you add “he said, she said, they said,” or something like that to describe who is speaking. Here’s what I mean:

“Joni, you look beautiful tonight,” he said. OR “Joni, you look beautiful tonight.”

-In the first sentence, ‘he’ is not capitalized and a comma was used at the end of his speech instead of a period. That’s because the sentence didn’t end until after ‘said.’ In the second sentence, the writer assumes the reader knows who is talking so they don’t use ‘he said.’ In that case the speech ends with a period.

-Now this might seem weird, but if the speech ends with either an exclamation point or a question mark, and you use ‘he/she/they said’ or ‘he/she/they asked,’ it still doesn’t end the sentence and he or she should not be capitalized. Like this:

“Joni, is that you?” he asked.
“Of course, it’s me!” she said.

2. When a speaker says multiple sentences, quotation marks go at the end of the speech, not each sentence. If you break up a speech with another sentence, not spoken, then begin the second part of the speech with new quotes. Here’s an example:

“Graham, I don’t want to fight anymore. Can’t we just discuss this like civilized people?” Joni asked.

“Graham, I don’t want to fight anymore.” Joni sighed and rubbed her eyes. “Can’t we just discuss this like civilized people?”

3. Every time you change speakers, indent and start a new paragraph, even if the speech is only one word. This allows the reader to follow who is speaking to whom. Here’s how that would read:

“Joni, are you listening to me?”
“Yes.”
“Well, say something, will you?”
“I think you’re wrong, Graham.”

-Notice how even without ‘he said’ or ‘she said’ you still know who is speaking. Quick, back-and-forth dialogue can be bogged down with too many descriptors. You don’t always need them as long as you start new paragraphs whenever you change speakers.

There are more rules about the use of quotation marks, ones that have less to do with speech and more to do with offsetting titles of books and such. I decided to exclude those here, although that might be material for another post.

I hope this was helpful and I wish you all productive writing and successful conversation!

The Best Laid Plans of Mice and Meg

Here we are on the last day of November. For those tired souls who participated in National Novel Writing Month – congratulations! It’s over! I did not participate this year, but instead set the goal of revising my completed manuscript for publication. I am not sure what happened to my time this month, but I’m sorry to say that I barely even made a dent in the job. Besides the introductory section I posted recently, I have accomplished absolutely nothing!

Nevertheless, I am still going to attempt to finish so as to publish before the year is out. If it seems a little quiet around here, you’ll know why. I’ll be in the subterranean lair, feverishly editing away…