My Grandmother’s Legacy

I dreamt about my grandmother last night. I dreamt she was coming to visit from far away. It had been years since I’d last seen her. I wanted so badly to show her my paintings. My Nana was an artist and she would be proud that her only granddaughter had followed in her footsteps.

The dream involved me running through winding corridors and down narrow staircases to these windowless rooms where I was living (apparently) to gather as many of my pieces as I could carry to show her. I woke up before getting back.

I lay awake thinking about it in the wee hours of the morning. During that stage of just coming awake, the mind makes connections it wouldn’t in the light of day.

My Nana would be proud that I was painting.

When I first started painting and my work began to improve, I believed that to be true. After some consideration, I realized that I could be wrong. She might not be proud. She could be threatened by it and she could be critical. She might point out all my mistakes, flaws, weak technique. I’m pretty sure wouldn’t like either my subject matter or my style. Never one to hold her tongue to spare another’s feelings, she would probably decide that I hadn’t any talent at all and that I was wasting my time. I’d never improve. I’d never be any good.

Cruel? Yes. But accurate. And the funny thing is, she wouldn’t comprehend that I would be hurt by her words. Certainly I would see that she was right…

Years ago, my Aunt Esther took an art class at the local community center and began painting in acrylics and oil. Largely this was motivated by her admiration of my grandmother, her mother-in-law. Imitation is the sincerest form of flattery….

Lo and behold! Aunt Esther had talent, she became a wonderful artist –painting landscapes, pastoral scenes and still lifes. Nana only complained, belittled and behind her back, insinuated that she had no right to paint. Who does she think she is? My aunt eventually gave up painting.

And so it goes with the women in my family. They tend to be judgmental, fault-finding and competitive. There is never any joy for the success of others unless there is some way to take some of the credit for themselves. I’m not bitter, just realistic.

In the dream, my work was hidden away, out of the light of day, out of Nana’s sight, away from her potential criticism. As in the dream, so in reality. I am glad my grandmother will never see my paintings. That way I can pretend she would be proud.

The painting in the header is by Susan Nagle, my maternal grandmother.

My Life In Ruins

No not literally…

I mentioned I am traveling. It’s Ireland again and it never gets old…. Well, you know what I mean.

I’m on a mission to find as many prehistoric/Neolithic sites as possible, before I join my long dead ancestors in the soil. Thus, I am very behind on my reading and commenting. Nevertheless, I am never happier than when I’m surrounded by 6000 year old monuments. Here are some samples: wedge tomb (2500 BC), ring fort (early Medieval period) and stone fort (400 BC). The final shot is of Ireland’s largest stone circle dating to 4000 BC.

Fire Creeps In

It occurred to me Monday evening, while preparing to hit the publish button on the poem I had composed, that I often write about fire– in my poetry for certain and now, in my novel, I’ve burned down the cafe. And I suppose fire creeps into a lot of writing. It provides metaphors for all sorts of things: love, lust, war, creativity, warmth, cleansing, refining, life, death, destruction, rebirth…

I felt low that evening, as is sometimes the case after a long day. I’d begun the next chapter of the book, feeling unsatisfied with the way I’d left the previous one. The poem arose from that I think. But as I prepared my dreary little post, I reflected on why fire always seems to creep into MY writing. My approach is mostly from the death, destruction and possibly the cleansing perspectives of fire, rarely from love, lust and passion. And while I hate to psychoanalyze myself, because my mind is a messy, cluttered place these days, I couldn’t help but wonder….

I lost my paternal grandfather in a fire. My father was twenty years my mother’s senior when they married. He at fifty-five, she at thirty-five. My paternal grandparents were already in their eighties when I was born. Grandma Jennings died when I was three and I barely remember her. But Grandpa lived for a few years more. I had a lot more contact with him as a child. And as a result my memories are a lot clearer.

I was six years old when it happened.

Grandpa liked his cigars. He left one smoldering next to his favorite chair one Sunday evening before going up to bed. He must have thought it was safely stored in the ashtray but it wasn’t. The stub of the cigar either rolled or he carelessly dropped it right on the arm of the old upholstered chair. It smoldered. It consumed. It filled the house with smoke. It wasn’t a conflagration, it was a charcoal pit. When, in the light of day, the neighbors realized what was happening and called the fire department, it was too late. But Grandpa had known something was wrong. He had made it back downstairs in the smoke. They found him on the threshold of the front door in his pajamas and dressing gown. A few more steps and he would have been free.

That is the kind of information that a six year old girl most probably should have been sheltered from. But I wasn’t. I should fear fire. I should have a morbid dread of it. But I don’t. Instead, it creeps into almost everything I write.