Shameless self promotion No. 2

After yesterday’s Shameless self promotion No. 1, you knew there had to be another one, right? You can find out about all my books by visiting The Bucks County Novels page on my blog, but since that involves an extra step, let me make it easy for you. Seeing Red is the second novel in the series, set in Doylestown, the seat of Bucks County and about twenty minutes from my home in West Rockhill. Here is a synopsis of the story:

514HE57Sz1LBeautiful, hardworking, Desdemona Murray doesn’t see herself the way others do. She only remembers the awkward teenager she once was. The talented landscape designer is hired to install a custom deck at the home of star football player, Ethan Samuels. When she catches the eye of the handsome professional athlete, and he begins to pursue her relentlessly, she is at first, flattered and amazed. However, her heart belongs to a man whom she believes only considers her a friend. Adam Quinn has always been a ladies man, not one to settle down, or so she thinks. Little does she know, his feelings for her run much deeper. When Des finally sees both men for who they really are, the choice she must make is obvious. But when she chooses, Des finds out how dangerous it can be to break free from a man who can’t take no for an answer.

Available on Amazon.  Find it here!

Featured Image -- 19436

And check out my Amazon Author Page for other titles.

Shameless self promotion No. 1

In case you were curious about my books but too lazy to visit The Bucks County Novels page on my blog, I’ll make it easy for you. Three Empty Frames is the first novel in the series, set in Doylestown, the seat of Bucks County and about twenty minutes from my home in West Rockhill. Here is a synopsis of the story:

Three Empty Frames_02_HR_front_2Life just got complicated for Jennifer Dunne. Her dead mother’s diary has revealed clues to a famous art heist from the 1960s. Have the missing masterpieces been hidden among her things all this time? Jen is targeted by a pair of ruthless criminals who certainly think so. Meanwhile, she’s falling in love with her new lawyer, who works with her to unravel the clues. But will the fledgling relationship survive when another handsome rival appears on the scene? And have the clues to the whereabouts of the missing masterpieces led them astray? Were the paintings hidden in plain sight all along?

Available on Amazon.  Find it here!

Featured Image -- 19436And visit my Amazon Author Page to check out the other titles.

 

The plot thickens…

“…coincidences to get your characters into trouble are great; coincidences to get them out of it is cheating.” – Emma Coates; Pixar story artist.

I read that advice some years ago and never forgot it. Whether you write by the seat of your pants (pantser) or you meticulously plot out your story (plotter), you eventually will come to a point where you write yourself into a corner or your plot hits a wall. You have a couple options: scrap it and start over from the point you got yourself into that mess, or write yourself out of it. If you choose the latter, the challenge is writing a solution without taking the shortcut of using coincidence to bail yourself out.  Not only does it ask too much of the reader, it just begs them to roll their eyes and put down the book with a heavy sigh and an ‘oh brother’. image

One helpful way to avoid figuratively standing on tiptoe in your painted-in corner is to use a timeline spread sheet or plot diary, if you will. What I mean is, make notes for yourself along the way that keep track of the plot points that build your story. Most of the time you will catch the issues with the story before they become major rewrites or too complicated to resolve without resorting to the implausible.

Why it’s important:

  • Avoid writing things ‘out of time‘: If Johnny doesn’t say (X) until chapter 4, Susie isn’t going to know about it in chapter 2.
  • If you are dropping clues or innuendos, having a spreadsheet will help you distribute them throughout the story at critical places.
  • It helps you set a good pace for the action. You don’t want all the intrigue or action bunched together with big stretches in between when nothing happens. The plot should progress like a sine wave, with a build to the action and a rest before the next bit. Or like stairs, where the intrigue builds until the climax.
  • It will keep you from ‘speeding’ through time. In other words, certain events need a minimum length of time to unfold in order to be realistic. Days, weeks, months may need to pass to bring a romance to fruition. The same is true with a criminal investigation or a legal case.

Whatever method you use to record your plot, include the dates, the chapter and page number and space for detailed notes on what was happening. So even if you don’t meticulously plot out your story ahead of time, plotting along the way will help you avoid wasting time later with lengthy revisions and corrections.

I wish you happy writing and productive editing!

Header image via imglip, David Tenant image via Pixabay.