Working out the issues in novel writing.
“And… Action!” the director orders.
The actors, already in position and waiting, begin to play out they parts in the scene. Perhaps they are fleeing for their lives, preparing to engage in hand-to-hand combat or in a steamy, passionate, heart-stopping kiss. A good director will shoot a scene over and over, coaching the actors until it plays just the want he or she wants it. The movements, the facial expressions, the gestures all have to be absolutely perfect for the scene to ring true, to be authentic. The very same principles can be applied to creating the action scenes in the written form. An author must visualize –watch the scene unfold in the imagination– then write. What works? What reads awkwardly?
In writing, we talk about SHOW versus TELL. In other words, don’t just say “Mary made a cup of tea.” Show Mary filling the kettle, lighting the stove, spooning tea leaves into the pot… and so forth. It makes for much more interesting reading because all these little actions help the reader “see” what the characters are doing. The best way to illustrate is by example, so let’s practice, shall we?
The fight:
Instead of saying: Brad punched Kerry in the nose….
Brad stood staring Kerry down, his fists clenched at his side. Kerry just didn’t know when to shut up. Insinuating that Brad’s intentions toward Maya were less than honorable was the last straw. And now he was laughing about it. Brad pivoted, putting most of his weight on his right foot. When his arm shot out, Kerry didn’t have time to react. As the clenched fist connected, Kerry felt as well as heard the crunch of bone, tasted blood in his mouth. His head spun as his neck whipped around from the impact and he stumbled. He grabbed the back of the chair to keep from falling when the next blow landed. All the air was sucked out of his lungs with the punch to the gut. The blood was pouring from his nose now. He was choking on it. He raised a hand in surrender. “Please,” he managed in a hoarse whisper.
Ok, that’s enough. You get the idea. Not my best writing, but good enough for our purposes. The point is that action sequences have to have, well, action! There has to be movement. Describe smells, tastes, textures and sounds: the taste of blood, the crunch of bone, for example. The reader can visualize the scene because of the detail the writer has provided. I know that some writers actually make up story boards for action scenes. It helps because it breaks a scene into its component parts. A caution — don’t get all listy. By that I mean, don’t list the components of a scene like: First, Brad put all his weight on his right foot, then he pivoted, then he threw the first punch and then… Get it? Listy – not good.
You might even want to watch a fight scene from film or TV to find some inspiration. The same would be true of a car chase, an attack by aliens or giant radioactive monsters… (All of which I may address in future posts. I know — you can’t wait.) Nevertheless, the principles apply.
Now let’s go to the complete other end of the spectrum to an example of a smaller, more subtle kind of action.
The kiss:
Instead of saying: Brad kissed Maya tenderly…
Tears streamed down Maya’s cheeks and it broke his heart. Brad crossed the room in three strides and took her in his arms. “Maya,” he whispered, framing her face with his hands. With his thumbs, he gently swept away the last of her tears. Her blue eyes were bottomless pools and he found himself sinking into them. With his heart thudding in his chest, he lowered his lips to hers, softly at first. Tentatively, he deepened the kiss as she responded. She sighed against him, parting her lips slightly, letting him in. She tasted like the salt of her tears but he didn’t mind. He teased with his tongue, slowly, languidly as if he could make this kiss last forever…
Ok, romantic drivel, I know. Sorry, dudes. There are things to consider when writing the perfect kiss. What are the kissers doing with their hands? Is it a chaste, first-time kiss or a passionate kiss between long time lovers? Do they angle their heads one way or another? (The nose gets in the way, after all!) How long does it go on? They may be out of breath when they finally break apart.
Speaking of breath, I know we don’t like to talk about it, but is it minty fresh, taste like cigarette smoke, coffee or the shot of whiskey he or she just tossed back? Think about textures again: his soft flannel shirt, her silky blouse, his rough and calloused hands, her glossy, swollen lips, his strong arms, her lustrous hair, blah, blah, blah.
You see what I’m saying, though, right? You, the reader, have the movie of the scene playing in your head while your eyes scan those words. Every time you write action, think about how the five senses are impacted. That is how you SHOW action, instead of just TELLing us that it happened.
I hope you found this to be useful! Happy writing, my dears!
Showing versus telling is the first rule of descriptionas well. Telling us “John had to bow his head to enter the room” provides a visual that “John is tall” never will. Nice post Meg.
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Yes! Great example! Thank you!
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Nice. Sometimes though I don’t spell everything out because I want the readers imagination to fill in some of the blanks so that the character or scene is tailored to their tastes. Does that make sense?
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Absolutely. With the fight for example, you could skip the blow by blow and show your victim bloody and begging for mercy. I think ladies like the kissy kiss details, though!
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If guys are being honest I think they like the kiddy kissy too. Also, that was very well written by you.
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Hehe! Thanks!
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This was very helpful. I can see why some of the fiction stories I had been working on some time back would have been considered a bit boring. I didn’t do a whole lot of telling. Will keep this in mind now. Thanks Meg.
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Thanks, Deb. It was something I was unaware of until I let my English teacher friend read some of my early work. He drew my attention to it and I’ve never forgotten!
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As more of a writing newbie, this is very informative! Good point about the listing too, I’m pretty sure I’ve been guilty of that. So when does your online writing course begin? 🙂
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Thank you! I’m glad you enjoyed it. I do writing tips a lot on Wednesdays. It’s mostly stuff I’ve learned along the way. I know what I like to read and I try to translate that into the things I write. I hope that makes sense!
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Than I shall attempt to remember this and keep my eyes open! Or perhaps I need to dive into your archives a bit. Thanks!
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My writing partner recently reprimanded me on “Show versus Tell.” She’s quite intolerant.
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I actually heard she’s pretty brilliant. You should listen to her!
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I WISH! It’s all smoke and mirrors with her.
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Perhaps she likes being mysterious!
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That is quite a telling kiss 😊
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Straight out of my latest work in progress! At least for now, it could get completely edited out!
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No, you need the romance! I don’t know why I didn’t see this in my reader before. Love your advice!
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Thank you! For our next trick, FK and I are going to write a screenplay in which I kill him. 😀
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May I help you hide the body?
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Definitely!
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No! Don’t edit “the kiss” out of Double Seduction Chapter 4! (If that is what you were referencing). This was a great post, but I can’t wait for the fourth installment to Double Seduction! 😀
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No, it’s not for Double Seduction! I can’t promise you any kisses there… But you never know! This is for a novel I’m working on independent of my blog!
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Gotcha! Well, that is true. I suppose they would have to be ‘virtual kisses’ lol Good luck on your novel, it will be great! 🙂
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Thanks, Pink!!
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That would almost be incestuous, lol!
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Ha! Yeah, it would! Unless I write another character into the story for our girl to fall for!
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Yes, a gorgeous, alpha detective who can arrest the online creep
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Now that’s what I’m talking about!
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Booya!
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Hahahahahahahahahaha!!!!!!
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Fantastic illustrations. You walked the talk for “show, don’t tell.”
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Thanks, Anand!
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You are welcome, Meg. You are my favorite Grammarian.
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Hey,I have nominated you for the One Lovely Blog Award!
http://jgoodwithsports.com/2016/02/24/one-lovely-blog-award/
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