When you have all the time in the world…

This writer’s life.

I haven’t got a “real” job at the moment, I have all the time in the world and yet, I am having trouble focusing on the task of writing. While taking a break can be healthy and restorative, there is a risk of losing momentum, sometimes forever.

This must sound indulgent, but I really hope it doesn’t come off that way. Most aspiring authors are trying to fit writing in around work that pays the bills. I have the ‘luxury’ of being at home for the time being. Nevertheless, I’ve been a very busy woman for a very long time. I’ve been secularly employed from the age of 16 and this is the first time in all those years, I haven’t earned an income [aside from very modest book royalties, which only amount to the cost of an occasional dinner out]. Anyway, my plan has been to use this time to concentrate on the next novel. I just can’t seem to get going. I have lots of excuses: taking care of the business of the international move, my office isn’t set up yet and my writing space is important to me, the house is too empty and I need to get a cat… Even writing blog posts instead of working on the novel! Doh!

I suppose it’s easy to procrastinate, knowing you have all the time in the world. Creative pursuits, unless of course, you have been commissioned to complete a project, and are on a deadline, tend to be more fluid. The book always needs further revision, the painting needs just a little more touching up or the drawing needs a slight adjustment. These things can become forever incomplete or unfinished. Even creativity needs to have a certain amount of discipline imposed upon it. It’s time I made a schedule and stuck to it. Plan my writing time and prioritize. And even if the writing isn’t good, developing the routine will be. Mediocre writing can always be revised. But first you have to write it. I really don’t have all the time in the world. It is a commodity that once expended is gone forever. Best get back to work!

For the love of beautiful language…

[edited from a post I wrote in 2016]

My writer friends, do you ever find yourself using the same or similar words and phrases over and over again? It’s inevitable. We tend to write the way we talk. Most of us use a characteristic phraseology that makes up our everyday language. Our speech may be reflective of the region we live in, our ethnic origins or even our age. While these peculiarities lend color and flavor to our writing, even they can get repetitive after a while. It will be especially evident if we write longer fiction pieces or novels. What can we do to add variations to the words we pen?

Some of my earliest writing was in the form of poetry. That is not a coincidence. Poetry is introduced to us in the cradle by means of nursery rhymes and bedtime lullabies. As we grow and mature into our teen years and beyond, often music becomes a huge influence. Thus the lyrics of songs speak to us the way nothing else can. Many musicians like Bob Dylan, Jim Morrison, Patty Smith, Joni Mitchell, and Bruce Springsteen are considered to be not just song writers but poets as well.

Anthropologically, poetry in the form of song or saga has been used to help the balladeer or the skald keep the oral history of a people alive through story telling. It is some of the earliest writing ever discovered. The Epic of Gilgamesh, for example, dates back to 2000 BCE. Another Sumerian text, The Tale of the Shipwrecked Sailor, may be even older than that.

What am I getting at, you ask? Poetry composition can be a delightful way to hone our skills in using creative vocabulary and illustative terminology. “But, I don’t want to be a poet,” you say. Shut up, yes you do. Here’s why…

I do enjoy writing poetry, but it is not my main avenue of expression. I am primarily a fiction writer. However, composing poetry demands that we paint a picture with our words, if you will. Putting things into verse, even if the verse doesn’t rhyme, pushes you to use descriptive and colorful terms that you wouldn’t use in day-to-day speech.

In describing my front lawn, for example, you could simply state, “the lawn was full of dead dandelions,” and that would be true! Before you write that ask, “What do those dandelions remind me of?” “What idea do they conjure?” They are dead, so how about headstones in a graveyard? They are skinny, so how about emaciated refugees fleeing a disaster or famine? They have tufts of thin, white spores… does that remind you of hair or clouds or even foam at the crest of a wave? Now write it like this, “Like a wave of fleeing refugees, the dandelions marched across the expanse of grass.”

I didn’t write a poem, but I wrote a poetic sentence. Obviously, a little of that can go a long way, too. Every sentence does not have to be metaphorical in nature. But in the right place, it can transform ordinary writing into extraordinary writing. I encourage you, if you have not attempted to write poetry before now, give it a try. Follow other poets here on WordPress; there are a multitude of talented poets to choose from. Learn the different styles and structures. Perhaps you will find you want to be a poet, after all!

Bogged Down In the Telling

Sometimes I forget to listen to the most basic advice. One of the best ‘rules’ of writing is to show and not tell. ‘Telling’ or over-explaining in fiction can really make the story drag. Twice now, I’ve lost momentum in my two works in progress and haven’t realized why. After enthusiastic beginnings and two great plots to develop, the stories became burdensome and I lost interest and joy. How does that happen?

Fortunately, in talking it over with another writer, it was brought to my attention that with my science fiction piece, I had been trying to ‘tell’ everything –that is to provide an explanation for every little circumstance that arose in the story. Granted, it is my pet peeve when I don’t understand ‘why’ something is the way it is, so I tend to lay out settings and background information logically. But a little of that can go a long way. Additionally, information can be woven throughout the story incrementally so as not to overwhelm [read: bore] the reader in the beginning. Besides, I’m already asking the reader to suspend disbelief in writing science fiction, so it only follows that certain aspects just can’t be perfectly explained –they just ‘are’ they way I’ve written them. And trying to explain everything just makes the writing tedious. I know all this, but I just didn’t apply it. Showing and not telling is more enjoyable for the reader AND the writer.

Happy writing and productive editing!

Header image via Pinterest.