The Writers Tag

I’ve been tagged by fellow author, GJ Stevens, to participate in a tag for writers to get to know one another. GJ is releasing his first novel this month so be sure to visit his blog and read all about it. The tag was created by Lorraine Ambers and Ari Meghlen for writers to connect with one another and help expand this lovely writing community. We are asked 12 questions and encouraged to tag other writers. As always, no obligation on any of my nominees. Here are my answers and my nominees:

Name one novel that inspired you to write. 

I can’t say there is one novel which inspired me to write, but there are quite a few novels that I would aspire to write. My current work in progress is historical fiction set partly in the time of World War I and partly in modern day. An author who manages to slip seamlessly between time periods in her books in Kate Morton, so I will choose her novel The Forgotten Garden as a book that inspires me.

What’s your favorite genre to read and to write?

I read avidly and across many genres. I’m writing historical fiction AND science fiction at the moment, but I suppose the genre I find myself reading most frequently are mysteries/detective stories. And as a result, four of my five published novels are mysteries.

Do you prefer to write stand alone or series?

Thus far, my published novels are a series. The Bucks County Novels are romantic suspense stories set in the region of Pennsylvania where I live. These five books have repeating characters but each plot focuses on a different one. It was a great deal of fun to include local restaurants, bars and other businesses in the books as well as being able to send the characters to the city of Philadelphia which is only about an hour away. I am not entirely sure whether I will continue the series because of the other projects I have going, but I won’t rule it out.

Use three words to describe yourself:

Curious. Adventurous. Distracted.

Reveal your WIP aesthetics or an image that represents your main character or setting.

This a a collection of art and photography (some of it my own) that represents the historical novel I’m working on.

How long did your first manuscript take you to draft?

I worked relentlessly on my first novel. I think I finished it in about six months. However, the first draft was only one of many versions of that novel. I revised it again last year and republished it as a second edition. AND it totally paid off – Three Empty Frames won the Writers Digest first place award for mainstream fiction in 2017.

Who is your author idol?

It’s a tie between Jonathan Kellerman and John Grisham. Both these writers have been writing for decades and their books are consistently good. That’s not to say that having just one good novel in you is a bad thing, but I’d love to have a lengthy novel writing career like these two guys.

Share a writing memory that made you determined to carry on.

Getting positive feedback from an independent source is definitely a strong motivator. Your parents or your spouse are pretty likely to be biased in their support for you, but when a total stranger loves your work, that is really validating.

Tell us something surprising or unique about yourself.

Tough question. Despite being friendly and rather outgoing on my blog, I really am a pretty private person. I keep a lot of things locked tightly inside my head.

Share the hardest part about being a writer and how you overcame it.

I think this is something many writers can relate to: having people ‘read into’ what you are writing. In other words, people thinking maybe you based a character on them, or a scenario you’ve written hits a little close to the truth and they assume you (the writer) feel the same way the character does. Borrowing from real life to write fiction is not a direct progression but sometimes it isn’t easy to convince the people who read it. How to overcome it? Add a disclaimer and remind everyone that an author can write about serial killers without having a basement full of bodies!

What’s your favorite social media and why? Share your link.

Not a huge fan. Social media is, however, a necessary evil for authors hoping to get noticed. I have a Facebook Author Page, a LinkedIn account and a Google+ account —all of which I have linked to my blog but mostly ignore. I have a private Instagram and I mostly ignore that too, at least for sharing my own stuff. Do you really want to see what I had for dinner? But it is a nice way to keep in touch with friends who are far away.

Share some uplifting wisdom in six words or less.

Carry a notebook, inspiration is sneaky.

I nominate the following writers:

I understand that we’re all busy with writing and probably with a day job too, so if this is extra task is too much, I completely understand! But if you can, I’d love to hear your answers to the questions.

Sandra – What Sandra Thinks

Darnell Cureton

Rebecca Moon Ruark  – Rustbeltgirl

Tom Austin – abitsa

Andrick Schall

Instructions:

 Post the Tag and Image (see above) on your blog.

 Thank whoever nominated you and give a link back to their blog.

 Mention the creators of the tag and link back to their blogs.

 Answer the 12 questions.

 Nominate 6+ bloggers and notify your nominees by commenting on their blogs. (Optional!)

Filling the Creative Reservoir

Life with all its stresses can be a drag on your creativity. And yes, we all know about the writers and artists who use their anger, pain, and frustration as source material for their work. But what if your crappy, exhausting job, bills, debt and student loans, managing your kids’ school activities and issues, and if you’re a part of the sandwich generation, taking care of aging parents, isn’t proving to be terribly inspiring? When you do find a spare minute to yourself and finally sit in front of the screen or the canvas, then nothing comes. All those daily anxieties push out the great ideas that used to wake you up in the middle of the night. Can you force yourself to be creative? Or is it hopeless?

Take a look at it this way: some of those ‘daily grind’ things we do involve being creative. Things like parenting, successfully carrying out the tasks of your employment, cultivating your relationships and cooking meals for your family. When we appreciate that we are being creative in our daily routine, we must then figure out how to cultivate creativity for our artistry. Sometimes it’s as simple as asking, ‘what if…?’ and letting your mind answer the question with all the possibilities.

Remember that your talents have already manifested themselves. If you’ve been creative in the past, you can be again. Reflect on those past achievements. While it’s true that creativity may come naturally to some, many successful artists and writers have simply nurtured their creativity over time. You see what I’m saying? They worked at it. The writer or artist who sits staring at the blank screen or canvas waiting for inspiration to strike is going to be waiting a long time. Inspiration comes not just from within but also from without. We must take the initiative to find it.

Read other authors in your genre. Read other authors outside of your genre, including non-fiction. Watch films, television programs, go to the theater. Go outside and move your body. And for Pete’s sake, turn off the podcasts and the news and refresh your mind with some quiet time. Listen to music. Go to the art museum, or even a small gallery and take time to study the paintings, photographs or sculptures. Spend time with your friends, especially those who also have creative pursuits. Join a book club – you might be able to find one through your local library or independent book store. Take an evening art class, even if it’s way below your skill level. You’ll always learn at least one new thing. Spend time with people who inspire you, rather than drain you. Granted, we can’t all hang out with our heroes but this is the time to read interviews, listen to lectures or read their biographies.

And since we began this discussion by acknowledging the scarcity of free time, I’m by no means advocating ALL of those suggestions. Just pick one that fits into your schedule. Above all, don’t get discouraged. If the creative reservoir seems dry, it might take a little time to fill it back up again. Start adding just one bucket full at a time.

Research Notes – The Great War (15) The War Poets

In the course of researching my historical novel: Here Lies a Soldier, I’ve read books on the battles, the origins of the conflict, the Spanish Flu epidemic which came close on its heels, and of the life and struggle of the average citizen striving to weather that horrible storm. Among some of the most compelling subjects I’ve researched are the works of art, the literature and especially the poetry composed at the time.

During the First World War, unlike previous wars, a significant number of important British poets served as soldiers. As one might expect, they composed poetry that reflected their experiences in battle, the conditions in the trenches and the spirit of the men they fought beside. Some of them died in battle: Edward Thomas, Isaac Rosenberg, Charles Sorley and Wilfred Owen. The ones that survived, like Siegfried Sassoon, Ivor Gurney and Robert Graves, were deeply affected by the horrors of war and their work demonstrates their traumatization.

In Westminster Abbey, Poet’s Corner is a section of the South Transept. Among the graves and other memorials of Britain’s famous poets, lies a stone slab with the names of the War Poets inscribed on it. It’s also inscribed with words from Wilfred Owen’s “Preface”

“My subject is war, and the pity of war. The Poetry is in the pity.”

Anthologies of these poems were very popular during the war. In my collection of War Poems: Men Who March Away, the editor has grouped the collection by date, giving the reader a glimpse of how attitudes toward the war changed over time. Here is one of Wilfred Owen’s poems – Exposure. The soldiers faced not only the enemy in battle but also the terrible conditions in the trenches – the mud, the filthy water, the lice, the rats and the cold. Sometimes the waiting was as dreadful as the action.

Exposure – Wilfred Owen

Our brains ache, in the merciless iced east winds that knive us . . . 

Wearied we keep awake because the night is silent . . .

Low drooping flares confuse our memory of the salient . . .

Worried by silence, sentries whisper, curious, nervous,

       But nothing happens. 

Watching, we hear the mad gusts tugging on the wire,

Like twitching agonies of men among its brambles.

Northward, incessantly, the flickering gunnery rumbles,

Far off, like a dull rumour of some other war.

       What are we doing here?

The poignant misery of dawn begins to grow . . .

We only know war lasts, rain soaks, and clouds sag stormy.

Dawn massing in the east her melancholy army

Attacks once more in ranks on shivering ranks of grey,

       But nothing happens.

Sudden successive flights of bullets streak the silence.

Less deadly than the air that shudders black with snow,

With sidelong flowing flakes that flock, pause, and renew,

We watch them wandering up and down the wind’s nonchalance,

       But nothing happens.

Pale flakes with fingering stealth come feeling for our faces—

We cringe in holes, back on forgotten dreams, and stare, snow-dazed,

Deep into grassier ditches. So we drowse, sun-dozed,

Littered with blossoms trickling where the blackbird fusses.

       —Is it that we are dying?

Slowly our ghosts drag home: glimpsing the sunk fires, glozed

With crusted dark-red jewels; crickets jingle there;

For hours the innocent mice rejoice: the house is theirs;

Shutters and doors, all closed: on us the doors are closed,—

       We turn back to our dying.

Since we believe not otherwise can kind fires burn;

Now ever suns smile true on child, or field, or fruit.

For God’s invincible spring our love is made afraid;

Therefore, not loath, we lie out here; therefore were born,

       For love of God seems dying.

Tonight, this frost will fasten on this mud and us,

Shrivelling many hands, and puckering foreheads crisp.

The burying-party, picks and shovels in shaking grasp,

Pause over half-known faces. All their eyes are ice,

       But nothing happens.