All my creative pursuits.
The poet/author Robert Graves has been featured here previously. I wrote about his experiences during the Great War and his inclusion in the memorial to the War Poets in Westminster Abbey. As well as being a fascinating character and a wonderful writer, he also has an excellent face: strong chin, full mouth, penetrating gaze, good bones… and so this week I chose to draw the young poet: Robert Graves.
And the photo I used for reference:
This poem is by Siegfried Sassoon is from the collection Men Who March Away, edited by I.M. Parsons some fifty years after World War I. I have in my possession a biography of Sassoon which is climbing close to the top of my to-read pile, so watch for more about that fascinating War Poet. Meanwhile, here is one of his poems and a little background. In his introduction to the collection, Parsons writes about The Kiss:
“The Sassoon poem is particularly interesting, not only for its technical accomplishment and for the terrifying image in the final line, but because in spirit it is so completely alien to the author’s whole attitude to war. For that reason, Mr. Sassoon was understandably reluctant to let me reprint it, fearing that it might be taken as meant seriously –as a ‘fire-eating’ poem.”
Sassoon himself said, “I originally wrote it as a sort of exercise … After being disgusted by the babarities of the famous bayonet-fighting lecture. To this day I don’t know what made me write it, for I never felt I could have stuck a bayonet into anyone, even in self defense. The difficulty is that it doesn’t show any sign of satire.”
The Kiss:
To these I turn, in these I trust–
Brother Lead and Sister Steel,
To his blind power I make appeal,
I guard her beauty, clean from rust.
He spins and burns and loves the air,
And splits a skull to win my praise;
But up the nobly marching days
She glimmers naked, cold and fair.
Sweet Sister, grant your soldier this:
That in good fury he may feel
The body where he set his heel
Quail from your downward, darting kiss.
Another of the British War poets I discovered in my research of The Great War for my novel in progress, is Edmund Blunden. The poem I’ve included at the conclusion was inspired by his experience at the Somme in 1916.
The first large offensive of the Battle of the Somme was the offensive at Thiepval Ridge. Mounted by the Reserve Army commanded by Lieutenant General Hubert Gough, the attack was intended to benefit from the attack of the Fourth Army at the Battle of Morval which was planned for twenty four hours later.
However, Thiepval Ridge was a well fortified entrenchment. The German defenders fought doggedly while the British advance bogged down after the first day. The coordination between infantry and artillery declined thanks to the chaos of the maze-like trench system, the dug-outs and shell craters. The British objectives were not actually achieved until October-November when the Reserve Army was reorganized and reinforced at the Battle of Ancre Heights.
Beyond the organizational turmoil, the deteriorating weather frustrated the plans of General Joffre to forge ahead with the planned attacks of the Anglo-French armies. Coincidentally, the Allies’ failures were further hampered by a revival in the German defense. It was time for experimentation in the war’s cruelest and deadliest weapons. The British implemented new techniques in gas warfare, machine gun bombardment and tank/infantry cooperation. The Germans struggled to withstand the ascendancy of men and material fielded by the combined British and French forces, even though they were being reinforced by troops, artillery and aircraft from Verdun. September became the costliest month for German casualties in the Battle of the Somme.
Thiepval Wood – September 1916, Edmund Blunden
The tired air groans as the heavies swing over, the river-hollows boom;
The shell-fountains leap from the swamps, and with wild-fire and fume
The shoulder of the chalk down convulses.
Then jabbering echoes stampede in the slatting wood,
Ember-black the gibbet trees like bones or thorns protrude
From the poisonous smoke — past all impulses.
To them these silvery dews can never again be dear,
Nor the blue javelin-flame of thunderous noons strike fear.
Images courtesy Wikipedia and Vise Paris
Meg Sorick, Author/Artist 