Internal Chatter: I’m not crazy, I’m a writer.

Picture this:  you’re at a party, standing with a group of your friends and a lively conversation is flowing around you.  You’re staring off into the middle distance and you smile to yourself.  The talk turns serious as your friends begin to discuss the war in Syria, the refugee crisis and the ongoing political turmoil.  They look at you in horror as you burst into laughter.

“What the hell is wrong with you?” one of them asks.  “You think this is funny?”

“Er… sorry, what?”  you ask, bewildered.

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The Big Bang Theory, CBS Television

Welcome to the life of a writer.  In your world, characters talk to you and to each other.  It often keeps you awake at night.  It makes your mind wander in the middle of a family gathering, a business meeting or during a class.  Your family, friends, coworkers and teachers are not amused.

The thing is, that internal chatter is essential to good writing.  “Hearing” the voices talking, listening to an invisible narrator spin a tale, visualizing the scene, debating the sides of an issue during conflict;  that is writing, writing without committing the words to paper.  Let me digress for a minute, then we’ll get back to the writing bit.

Any of these sound familiar?

  • You talk out loud to yourself.
  • You ask and answer your own questions.
  • You will be having a conversation inside your own head, then continue it out loud to whomever is with you, totally confusing them.
  • When you are concentrating on something, the house could burn down around you and you wouldn’t notice.
  • You LIKE being alone, not that you don’t ever want company, but you relish your quiet time without distractions (this is also an introvert characteristic*)
  • You are rarely bored.

Not everyone with these … um … qualities is going to become a writer, obviously.  Nevertheless, possessing these ‘quirks’ has helped me muddle along this writing path.  And yet, I find I’ve become a worse companion!

It’s sometimes annoying a challenge to live with a writer.  Your spouse or partner can feel a little cheated when you’re not paying attention to them.  (Take notice the next time you read an author’s bio or their blog ‘about’ page.  A spouse/partner is so often described as ‘long suffering’, it’s almost cliche.)  It can be weird when you talk about your characters as if they were real people.  We went to the Philadelphia Auto Show last year and I kept pointing out the different cars my characters drive. Eventually, I found myself abandoned amidst the Porsches.  And yet, *sigh* I find myself doing things like that all the time.  “Hey, that’s where Tommy’s Law Office is.”  “Doesn’t that look like the kind of house Leo would buy to fix up?”  “I bet Graham’s band would play at this bar!” 

On second thought, that does sound kinda crazy …

Anyway, the point is, if you are not having internal conversations with your characters, chances are they will be boring and one dimensional.  They have to have vivid personalities (that’s not to say they all have to be outrageous, just memorable.)  You have to know them intimately, their strengths, their weaknesses, their passions and their faults. Write short biographies on each of them.  Create a character database in a computer file or assemble it on index cards.  Even if you don’t address these traits within your narrative, their backgrounds and peculiarities will influence the way they act/react in your story.  And THAT makes for good writing!

So writers, what do you talk to your characters about?  

*Many people think introversion is a disorder like social phobia.  However, this couldn’t be further from the truth.  I asked my friend Josh Gross, who studies psychology, to explain the difference.  These are his comments:

The way I’ve heard introversion/extroversion described by hard-core Jungian personality theorists is that it all comes down to where we get our energy. Extroverts get most of their energy from outside themselves; be they ideas or other people. This means they need to spend time with other people to be at their best. They may also need some time alone, but they feel the negative effects of isolation faster than introverts.

On the other hand, introverts derive most of their energy from inside themselves. They may have excellent social skills and enjoy the company of others, but being intensely social wears them out faster than extroverts. Sooner or later they need to take some time by themselves to recenter and recharge.

So introversion and social phobia are quite different. Social phobia involves a fear of social situations that is so pronounced that it interferes with one’s ability to function. Introversion simply refers to the need to spend time alone in order to be at one’s best. Introverts can be surprisingly social, as long as they are able to take breaks when they need to. They also are not immune to the damaging effects of loneliness.

Thanks Josh!

You can’t tell me what to do!

I came across this photo/list of Elmore Leonard’s Ten Rules of Writing on Pinterest.  It’s an excerpt from his essay of the same title.  I thought it would be interesting to see if you all agree or disagree with these rules.

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Here’s my opinion:

1. Personally, I love a story that starts with “It was a dark and stormy night…” (just kidding, unless the author is trying to be ironic).

2. How about the prologue?  Is there a bit of the story that just needs to be set off by itself?  I’m pretty sure I’ve never had a problem with a prologue.

3. “Said” seems to have no grey area.  Writers either demand that “said” be used exclusively or they hate having to stick to “said.”  Some say it’s the mark of an inexperienced writer to use words other than “said.”  Whatever.  Sometimes, words like “whispered,” “murmured,”or “shouted” just need to be used, I think.  For example, take these three versions of the same sentence:

“That is a stupid idea,” he said.

“That is a stupid idea,” he whispered.

“That is a stupid idea!”  he shouted.

Totally different feeling is conveyed, right?  On the other hand, you could get carried away with it.  “That is a stupid idea,” he blustered, bemoaned, bellowed, whined, sneered, snapped, ranted, ejaculated….  (yeah, let’s use that one! *snicker*)

4. Here’s another reason to use a word other than “said.”  If Elmore doesn’t think you should use an adverb to modify “said” then you can’t say “said quietly.”  Which is a perfect argument for using “whisper” instead.

5.  Exclamations points?!?  Are you kidding me?!? I love exclamation points!!!!  And only 2 or 3 in 100,000 words of prose?!?!?!?!?!?  Come on!!!!! That’s crazy talk!!!!!!!!! (Obvious sarcasm)

6. I pretty much agree with 6.

7. And 7.

8.  Yes, to this too.  I think this is a case of “show don’t tell.”  You can accurately convey your character’s traits through dialogue and through another character’s thoughts and observations.

9.  Hmmm.  Maybe not always.  One of my favorite books is “My Antonia”  by Willa Cather.  There is a multitude of descriptive language in this book and quite frankly, it’s beautiful.  I think this rule depends on the type of story you’re writing.

10.  Yeah, I know what I like to read and what I skim through.  For example, Tom Clancy can describe the entire process of a bullet being fired from an assassin’s rifle.  While I’m totally impressed that he went to all that research… Yawn.  Scan.  Next.

Which of these rules do you agree or disagree with? 

Header image courtesy: Peanuts; by Charles Schultz