Small Cuts (1) – James

Dinner reservation for four. The trendy new restaurant couldn’t take us till 9:00. No worries. Drinks and nibblies beforehand at their house. Genevieve and Oliver were the perfect friends. A childless couple just like us. Except that Oliver was in love with my wife.

Oliver texted Elaine to make plans. Made the excuse –although it was true– that I never responded in time. Always arranged things so that she was across from him at the table instead of me. His hugs lasted a little too long, he gathered her too close to his body for my comfort, his hands too low on her waist. His eyes lit up when she walked into the room, the way they do when you’re in love with someone. Elaine always told me I was making a mountain from a molehill. My wife was either lying to spare my feelings or truly was oblivious.

So that night, as usual, I found myself across from Genevieve, while Oliver and Elaine talked and laughed about everything and nothing at all. Her hand touched his when he made a particularly funny remark. He refilled her wineglass as soon as she had set it down, drained. Once, I tried to interject a comment into their conversation but quickly became the brunt of one of Oliver’s jokes. I laughed wryly, intending to be a good sport, but from then on kept out of it. I turned my eyes toward Genevieve as she lifted one corner of her mouth in a sad, half-smile.

She drew a deep breath and asked me about work. I absently remarked that all was well, nothing new or interesting going on and what about her work? Fine, fine, she had said. Silence descended on our half of the table. We concentrated on our food. I watched Genevieve watching them, trying to be inconspicuous.

Genevieve was so different from my wife, Elaine. Perhaps that was what attracted Oliver. Genevieve was quiet and bookish while Elaine was vivacious and outgoing. It was what had drawn me to her myself. Elaine’s dark eyes perpetually sparkled with good humor, whereas Genevieve’s were thoughtful, sometimes faraway and dreamy. I found myself unable to pull my gaze away from those blue pools. Her suffering floated just below the surface.

Genevieve made small cuts into her steak and pushed all the bits to one side of her plate. I’m not sure she had taken one bite yet. The silence between us became awkward.

“What are you reading these days, Gen?” I asked.

She looked up from her cutting, slowly. “Do you really want to know?”

I nodded. “I do.”

She placed her fork and knife on the edge of the plate –a delaying tactic– before answering. She mentioned a book by an author I’d never heard of.

I nodded again. “Ah. Are you enjoying it?”

“As much as anyone can ‘enjoy’ a book about infectious disease and poverty,” she replied.

My cheeks heated. “Ah,” I said again, feeling foolish.

She went back to dissecting her steak into small bites. Elaine and Oliver were oblivious. I stared at my own steak, appetite gone. I said, “I’m trying to read ‘Great Expectations.'”

“Really?”

“On audiobook while I run. It’s the only way I can get through some of the classics.”

Now I had her attention. Her entire demeanor changed. She asked, “What do you think of it, so far? What else have you read?”

I smiled and began telling her about it.  As I talked, she began placing the small bites into her expressive mouth and carefully chewing and swallowing. I loved watching her jaw muscles clench and unclench with each bite, her lips press together and the flash of white teeth as she opened for another morsel. I found myself dragging out my monologue just so I could keep watching her eat. But finally when I had no more to say, I shrugged and took a bite of my own. With a sideways glance toward our spouses –still laughing at some private joke– and a smile that didn’t reach her eyes, she said, “Thank you.”

I reached across the table and laid my hand over hers. She studied me soberly then slowly maneuvered her hand beneath mine until our fingers intertwined. I let my thumb slowly caress hers and I said, “No Gen, thank you.”

Continue reading here.

 

Organize Your Writing

One of the things that can get out of hand quick when you’re writing a novel is keeping track of the details. As the story pours out beneath your fingers tapping away on the keyboard, you don’t want to have to stop and page back through the previous 10,000 words to find an important detail that’s relevant to a scene you’re currently developing. It might be things like who said what to whom, how many days have passed, does it makes sense with the way the plot is unfolding, and so forth.

I use several tools to organize my writing so as to avoid rereading the whole manuscript to find one detail. Here are a few of them:

  • Timeline spread sheet: this is essential for keeping track of the order of events. The way I do it is to decide on a date for the opening of the story, and since my books are set in present day, I usually pick a day and the date of the current year. Then for each day on which action happens, I make a brief note of the significant event. For days where nothing happens I may make an entry that reads: August 4-6 Jen waits for news from the police, or something like that.
  • Character biography database: this can be as simple as writing your character’s physical description, age, career and hobbies on an inex card. I keep mine filed on another spreadsheet. Other details that are helpful to include are personality traits. List things like he is intelligent, short tempered, bossy, meek, shy, funny, easy going, intense, artistic, serious or grumpy. You may also include events that have shaped their life so far. For example they were raised in a wealth and comfort or they were abused as a child. They lived in the city or grew up on a farm. They might have been happily married and widowed or divorced with a nasty custody battle. All this helps shape the way your characters will act and react in certain situations.
  • Pinterest boards: this is something that won’t appeal to everyone, but I like doing it. I create Pinterest boards for each of my novels and “cast actors” to “play the roles” of each character. This helps me to “see” the character perform the action in the story.
  • Mapping the location: I physically draw the layout of my locations: the town, the character’s house or apartment layouts, and so forth, again to help me visualize the scenes. And you don’t need to be an artist to make this work for you. A crude map is fine. No one else has to see it!

Keeping track of the details means you won’t be making as many mistakes along the way. This will save you a lot of time and aggravation when you begin proofreading and editing. And being able to visualize your characters and the setting of your story will help make it more real to you and that will translate into your work. As always, I hope this was helpful.