Hair Of the Dog

[Here’s a follow up to my story Cheeseburger In Paradise. And maybe the beginning of another Bucks County Novel… maybe?]

Kerry Donovan felt like someone had placed tiny little cotton socks on each of his teeth. He rolled over and his stomach rolled in the opposite direction. Steady, steady now… He opened an eye. It was light out. Very light, in fact. And the last thing he remembered was dancing (dancing?!?) in a dark corner of Martha’s Tavern with a gorgeous brunette. He cautiously picked his head up from the pillow and realized he was on his parents’ sofa. Apparently, Martha did have to call his daddy to come pick him up. Great. His first night in town and he’d gotten blind drunk. No doubt he’d made a fool of himself, too. “Way to go, dumb ass,” he muttered to himself.

He lay staring at the ceiling for a minute and listened. The house was quiet except for the whir of the ceiling fan. Both his parents were early risers so either it was very late and they were already up and about their business. Or —and he shuddered to think— he had kept them up way past their bedtime with his shenanigans and they were still sleeping.

He tried to remember the events of the previous night. He remembered bearing his soul to Martha, telling her the whole sordid tale of his failed engagement. And then Brianna calling…. She had called, hadn’t she? Kerry cringed. “She just sweet talk you into taking her sorry ass back. That’s what…” Yeah. That’s what Martha had said as she hung up on her. And then she’d introduced him to her baby sister…

Magdalena. He remembered her dark eyes, high cheekbones, her thick lustrous hair. The bee-stung lips he was sure that he’d kissed. He closed his eyes and imagined her scent, the press of her body close to his as they swayed to the soft music on the bar’s sound system. God, he hoped he hadn’t done anything too embarrassing. If he was sticking around, he sure would like to see her again.

He gingerly placed one foot on the floor and then the other. Slowly, steadily he pushed himself to a sitting position. He was still in last night’s clothes, minus his flip flops, and he smelled like beer. It made his stomach roll again. With one hand on his belly and another shading his eyes, he shuffled to the kitchen. The clock on the stove said 9:45. The coffee in the pot was long cold and neither of his parents’ cars were in the driveway. He breathed a tiny sigh of relief. At least that conversation was postponed.

He filled a glass with water, chugged it, filled it again and took it with him to the outside steps that led to the rooms above the garage. After trudging up to the tiny apartment, he searched the medicine cabinet for aspirin, hoped they weren’t expired and downed four of them with his glass of water. He found his toothbrush and scrubbed the ‘cotton socks’ from his teeth. After a shower, he felt nearly human again. He returned to his parents’ kitchen to forage for food. As he was about to pop two slices of bread in the toaster, the doorbell rang.

He peeked through the front window to see who it was. Tall, tanned, her black hair piled on her head and wearing a short, white sundress that showed off her long legs, Magdalena stood at the front door with carry out coffees and a bakery bag in her hand. She spotted him at the window and smiled. Kerry felt like his bones had just dissolved.

“Thought you could use a little hair of the dog, honey,” she said as she floated past him. “It’s Martha’s special hangover cure. Irish coffee and croque monsieur. Salt, sugar, fat and alcohol. If it don’t cure ya, it’ll put ya outta your misery.”

She handed him a cup and the bag. Their fingers touched and he imagined that a jolt of electricity passed between them. Ridiculous. He found his voice. “You want to sit outside?”

“Sure,” she said, giving him the bone melting smile again.

He led her through the house to the lanai overlooking the back yard. They settled in the shade of the ancient live oak, at the antique cafe table his mom had rescued from a second hand store. His stomach rumbled noisily as he unwrapped the melted ham and cheese sandwich. Magdalena laughed and raised her coffee cup in a salute. “Just what the doctor ordered.”

He bit into the sandwich and nearly groaned out loud. Magdalena sat back in her chair and kicked off her sandals. Then tangling her feet with his beneath the table, she made little circles on the inside of his ankle with her big toe. It was all Kerry could do to chew and swallow.

“You were a lot of fun last night, honey,” she said with a mischievous grin.

“Fun?” he repeated, his voice cracking. He cleared his throat. “In uh… what way do you mean? Fun?”

“You got some moves, sugar.”

“Moves?” He winced, realizing he was repeating everything she said.

Her foot moved higher up his leg to stroke his calf. “Oh yeah…” she said.

‘What the hell was that supposed to mean?’ he wondered. He put the remainder of the sandwich down on the foil wrapper and took a big gulp of the whisky laden coffee. He coughed and sucked in air. “Damn! Is there actually any coffee in there?”

She laughed again. “Mm hm. Just enough.”

He sat forward, resting his elbows on his knees. “Look, Magdalena…”

“Maggie’s fine, sugar,” she said gently.

“Ok. Maggie. Listen, I have to be honest… I don’t exactly remember what happened last night. At least not after you sat next to me and we got to talking. So…” he looked at her hopefully.

“Aw, baby. Don’t you worry. We had a lovely evening. Dancing at the bar, walking on the beach, kissing under the moonlight… and…”

He swallowed hard. “Yeah. And?”

She leaned forward so their knees were touching and her face was inches from his. “And you were a perfect gentleman.” She smiled and leaned closer, taking his face between her hands and kissing him softly on the lips. “Much to my chagrin.” He could feel her smile against his mouth as she lingered. He brought his hands up to cover hers and kissed her back. She sighed softly as he deepened the kiss, running his hands down the smooth skin of her arms.

Neither of them were paying enough attention to notice the click of heels on the walkway leading to the lanai. The thud of a suitcase landing hard on the ground finally broke their embrace. Kerry turned and gasped. “Brianna!”

Assembling a collection

It’s been five years since I started putting together the ideas for my first book. That book became a series of five. I haven’t completely ruled out the idea of continuing the series, but for now I want to concentrate on other projects, including my long delayed historical fiction set partly during World War One. [Does that sound familiar? This time I mean it!]

Besides novel writing, over the years, I’ve written a number of short stories. I’m at the point where I think I have enough for a collection. Although, there are no hard and fast rules anymore –you can publish works of any length through Amazon– 40,000 words seems to be the magic number for a collection of short stories. With that in mind, I plan on revisiting my older stories with an eye for revision and expansion. As I work them out, I will likely post them here, so for those of you who’ve been following for a while, some of them might sound familiar.

If the short stories come together, I might do the same thing with my poetry. Since the poems, by nature, are much shorter and the volume would be slim, I thought about pairing them with my own illustrations, photos or other artwork. The idea for these projects arose from the ‘housecleaning’ I’m doing for the move: organizing things to keep and things to discard. The same can be applied to my writing: some of it is ready to go with just a little cleaning up, some of it needs major repairs, and some of it can be trashed. [Not really trashed… I keep everything, even if it’s just to spark a new idea. But you know what I mean]. With polishing, I hope these pieces will shine with new life.

In the coming weeks, my offline world is about to get a little crazy, so I hope you will enjoy these older stories and posts. Interspersed of course, with my adventures in Ireland as I look for a new home.

Research Notes – The Great War (23) Max Beckmann, Artist

“My heart beats more for a rougher, more vulgar art… one that offers access to the terrible, the crude, the magnificent, the ordinary, the grotesque, and the banal in life. Art that can always be right there for us, in the realest things of life.” Max Beckmann

Max Beckmann was born on February 12, 1884 in Leipzig, The Kingdom of Saxony, part of the newly established German Empire. He began painting as a youth, attempting to emulate the old masters, resulting in his early work following the classic, academic style. At the outbreak of war in 1914, Beckmann enlisted as a medical orderly and his experiences as such would forever change his art. Rather than continuing to paint traditional and realistic depictions, he began to distort figures and space —a demonstration of his altered view of the world and humanity within it.

In letters home, he wrote of his experiences as a medical officer, bringing the wounded to the hospitals for treatment: “…the sick lie naked on the table, often four or five of them. … With no sign of emotion, the doctors courteously show me the most horrible wounds. The sharp smell of putrefaction was hovering over everything, despite good ventilation and well-lit rooms. I was able to take it for about an hour and a half then I had to go out into the open landscape.”

Beckmann recreated this vision in his etching: The Large Operation, (1914):

Grosse Operation, Max Beckmann 1914 (courtesy MoMa)

After his discharge from the military, he transformed his art to reflect the horrors of war. Even those works not explicitly about the war are informed by it. Now his works —crowded with figures and details— were all jagged lines, broken planes and angular forms. The effect was unsettling and claustrophobic.

An example of this style can be seen in Playing Children (1918) in which the figures of the children are compressed into a tight circle. Adding to the sense of menace, most of the children wield weapons and engage in a violent mock battle.

Spielende Kinder; Max Beckmann, 1918 (courtesy MoMa)

Beckmann became quite successful in the years after the war. Many of his paintings portrayed the cabaret culture of post war Germany and the decadence that arose during the time of the Weimar Republic.

Dancing Bar In Baden-Baden; Max Beckmann, 1923

However, things changed with the rise of the Nazis. Adolf Hitler disliked Modern Art to the extent that it was suppressed by the state. Beckmann was labeled a “cultural Bolshevik” and his work declared degenerate. In 1937, Beckmann left Germany for the Netherlands and never returned.

In 1948, he moved to the United States but his tenure as an American was to be short lived. Only months after obtaining a professorship at the Art School of New York’s Brooklyn Museum, he suffered a heart attack and died at the corner of 69th and Central Park West, not far from the apartment he shared with his wife.

Header image: Self Portrait in a Tuxedo; Max Beckmann