The plot thickens…

“…coincidences to get your characters into trouble are great; coincidences to get them out of it is cheating.” – Emma Coates; Pixar story artist.

I read that advice some years ago and never forgot it. Whether you write by the seat of your pants (pantser) or you meticulously plot out your story (plotter), you eventually will come to a point where you write yourself into a corner or your plot hits a wall. You have a couple options: scrap it and start over from the point you got yourself into that mess, or write yourself out of it. If you choose the latter, the challenge is writing a solution without taking the shortcut of using coincidence to bail yourself out.  Not only does it ask too much of the reader, it just begs them to roll their eyes and put down the book with a heavy sigh and an ‘oh brother’. image

One helpful way to avoid figuratively standing on tiptoe in your painted-in corner is to use a timeline spread sheet or plot diary, if you will. What I mean is, make notes for yourself along the way that keep track of the plot points that build your story. Most of the time you will catch the issues with the story before they become major rewrites or too complicated to resolve without resorting to the implausible.

Why it’s important:

  • Avoid writing things ‘out of time‘: If Johnny doesn’t say (X) until chapter 4, Susie isn’t going to know about it in chapter 2.
  • If you are dropping clues or innuendos, having a spreadsheet will help you distribute them throughout the story at critical places.
  • It helps you set a good pace for the action. You don’t want all the intrigue or action bunched together with big stretches in between when nothing happens. The plot should progress like a sine wave, with a build to the action and a rest before the next bit. Or like stairs, where the intrigue builds until the climax.
  • It will keep you from ‘speeding’ through time. In other words, certain events need a minimum length of time to unfold in order to be realistic. Days, weeks, months may need to pass to bring a romance to fruition. The same is true with a criminal investigation or a legal case.

Whatever method you use to record your plot, include the dates, the chapter and page number and space for detailed notes on what was happening. So even if you don’t meticulously plot out your story ahead of time, plotting along the way will help you avoid wasting time later with lengthy revisions and corrections.

I wish you happy writing and productive editing!

Header image via imglip, David Tenant image via Pixabay.

I finally noticed….

Recently I discovered that I either accidentally unfollowed some of the blogs I’d been following OR that the WordPress goblins acted up again. I hope no one took offense at my absence or silence – it was completely unintended! And I plan to remedy the situation over the next couple of days. I apologize!

Payback

By Meg Sorick. A short story from July 2015, edited and ready to go into the collection. Here’s one last read:

“I know it’s not much,” I said, as I handed the homeless man an orange and a five dollar bill. I had passed him every day since he first appeared a week ago, on my route to work. With haunted green eyes and a sad smile, he looked neither dangerous nor crazy, just like a guy who had fallen on hard times.

“There but for the grace of God, go I,” I thought as I entered the diner where I waited tables. With a heavy sigh, I tied my apron around my waist and picked up my order pad. I had the worst section again: the one right by the door. Every time the door opened and closed, the wind rushed in, chilling my stocking clad legs and bare arms. Despite the fact that I never stopped moving all day, I never managed to get warm. By the end of my shift, my feet were sore, my back was aching and my meager tips wouldn’t go very far toward paying my bills.

I packed up the last of the vegetable soup to take home for my supper. I smiled. There was enough for two containers. No sense in letting it go to waste. On impulse, I grabbed the last two rolls and a couple of packets of butter and tucked it in the takeout bag with the soup. My homeless friend was waiting in his usual spot. “I brought you some hot soup,” I said. “Do you have somewhere you can go for the night?”

“Thank you,” he said, gratefully accepting the container and the rolls. “Now don’t you worry, I’ll be all right.”

The next day, I packed another orange in my bag for the homeless man, but to my surprise, he wasn’t in his spot when I passed. I trudged on to another long day at the diner.

Just as lunch rush had ended, a handsome man in a business suit sat in my section and smiled at me.

I gaped in confusion at his familiar features. “Is it you?” I gasped.

He smiled and gave a little shake of his head. “You’ve met my brother, Marcus.” Flicking his eyes toward my name tag, he added, “Cecilia.”

“Is your brother all right?” I asked, fearing the worst.

“He’s all right now. I’ve taken him home.” He passed me a business card which read, Lucas LeGrande, Executive Chef, above the name of the finest restaurant in town and said, “You’re the only one who ever showed my brother any kindness. I’d like to return the favor. Come work for me.”

Header Image: “Together” – artist, Lesley Oldaker, oil, 2011