In Plain Sight – A Short Story

People are oblivious. In my case, it was a good thing. As long as I kept up the normal routine, no one noticed that Marty had disappeared. Even after the sale sign went up in front of the house, the neighbors weren’t suspicious. “Where y’all headed?” they would ask. “Moving closer to the in-laws now that they’re getting up in years,” I’d answer. And that would be the end of it.

The human body has 206 bones, 79 organs, as well as muscle, connective tissue, and fat. Marty was a big man so he took a long time to dispose of. I started by draining the five liters of blood. It was a struggle to prop him up in the bathtub, but I’m a strong woman and the adrenaline was still pumping at that point. My hand shook as I severed the femoral artery.

After that, I separated the limbs and the head with my sharpest knife and wrapped them up in the freezer. That left the torso with it’s mass of organs and fat. I put my oven and my largest stock pots to work, cooking up a stew that fed the dogs for weeks. Still, nobody was missing Marty.

I kept the window washing business going all by myself. Sure it took a little longer now that I was doing it alone but I managed to keep our clients satisfied. “Where’s your other half?” someone would occasionally ask. “He’s off on another job,” I’d answer. And that would be the end of it.

Each time I went out —to work, to the supermarket, to grab lunch at McDonald’s, a small bag would go into the public trash can. That way, I disposed of a few of Marty’s bones at a time. They were dry and well wrapped so that no one would ever discover them in amongst the rest of the landfill debris.

It’s funny how fast I was able to recover our finances now that Marty wasn’t drinking away all our income. I was able to sell all the frivolous items he’d bought over the years too. The big screen TVs, the stereo equipment and the overpriced, underpowered “classic” Mustang he’d bought to restore. Even I knew the 90’s were a bad decade for Mustangs.

It took a full year. But it was time well spent. I slowly put everything in my name. It was easier than you might think. Even selling the house, I told the realtor my husband had to go on ahead to care for his sick parents and he’d left it all to me. It turns out you can have your contracts signed electronically which meant I could sign an approximate version of Marty’s signature for him. Nobody raised an eyebrow.

When it was done, I hauled all the furniture to an auctioneer and sold it for whatever I could. I packed the dogs and my clothes in the back of my old Jeep and drove west, not knowing where we’d land but knowing anywhere was better than here.

People are oblivious. No one ever noticed the bruises on my legs or the burn marks on my arms. Or how I kept my hair over one blackened eye or the other. For twenty years, I wished that someone would pay attention but no one ever did. Lucky for me, no one decided to start now.

Genre Bending

An older post revisited.

One of the things that catches me up at the end of a project is selecting the best genre for the book. Seems like it should be a no-brainer but it isn’t really. Of the five complete novels I’ve written in The Bucks County Series, all of them have a romantic component, so I’ve listed them under the romantic suspense genre. Nevertheless, all but one are crime stories: mysteries with clues to be followed and criminals to be apprehended. The one exception —Run For It— is even more hard to define; there are elements of suspense and romance, but no crimes get committed nor are there secrets to uncover. What is that? Realistic fiction, maybe? The thing is, I feel like I might be misleading the reader by including the ‘romance’ part in describing the genre.

Do romance readers expect steamy sex scenes? Or is that now classified as erotica? While the stories I write include the development of romance/relationships between my main characters, I abstain from depicting any sort of physical relationship beyond kissing. I think a romance reader might be a little disappointed. In any case, writing romance was never my objective, it was to write a good story in which a relationship might develop. In fact, I have nearly removed the romantic components from two of the five books because I felt the stories could stand on their own without it. I just liked the books better with the relationship left in.

I’m not a good, traditional romance writer and I know it. And perhaps that’s because I’m not particularly traditionally romantic myself. Candlelight dinners? I like to see what I’m eating. Chocolate? Ok, I’ll take the chocolate but not one of those samplers – half the stuff is inedible in those things. Flowers are nice but eventually they will dry up and all the petals will fall off and make a mess. I can never remember where I keep the vases anyway. New jewelry is lost on me – I always wear the same favorite pieces every day. You see what I mean… I feel like a hypocrite writing those sorts of things into my books. My characters feel as silly as I do in traditionally romantic situations.

So how does a romance go in a book by Meg Sorick? Most of my female leads are self-rescuers – they don’t actually need their men to bail them out of their crises. That is not to say my male leads are not capable of rescuing; I like strong male characters, just not Neanderthals. No offense Neanderthals (I hear that’s actually a thing … Neanderthal DNA showing up in all the ancestry testing everyone is having done to find out your real lineage, not the one your grandma lied about. But I digress…) Anyway, except for the non-mystery in my collection, the women find themselves as the target of some sort of criminal activity: burglary, stalking, attempted murder, and finally vandalism/arson. The men are there to help follow the clues, discuss possibilities and ultimately assist in solving the mystery. This is how I like the relationship to develop — the couple works together to overcome an obstacle or withstand a series of terrible events. They will genuinely like and respect each other, they will definitely be attracted to one another and they will learn to trust each other with their very lives. Not a bad formula, I would say. But then I arrive back at the original issue: how to classify the stories I write. I have some thinking to do. And I may give romance a rest altogether after I finish my next stand alone book —a historical novel set partly during World War One. I have plans for a sweet romance in that story, but after that? I think I should part ways with love…

Frozen In Time

A short story by Meg Sorick.

Bright. Blindingly bright. He felt awful —his head was pounding, his stomach was roiling and his mouth tasted like blood and bile. And he was cold. Very, very cold. Alex shielded his eyes from the sun and tried to remember what had happened. The party? Yes. The fight with Valerie? Oh, yes. He couldn’t remember leaving and —god, he hadn’t actually tried to drive in that state, had he?— crashing the car.

He tentatively opened his eyes. The front of the car seemed undamaged. A look in the rear view mirror told another story, though. The back windshield was a spiderweb of smashed glass and the trunk of the car was pushed up and backwards so as to obscure the view. Alex returned his gaze forward. The sun was just coming up over trees that shimmered with a thick glaze of ice. It had apparently snowed heavily overnight, though he couldn’t remember that either. The effect was disorienting. He couldn’t get his bearings. Where was he? The car hadn’t gone into the ditch, rather it seemed to be stopped in the middle of this unfamiliar road. He tried turning the ignition. Dead. Not even a cough. Wishful thinking.

Where was his phone? He found it lying on the floor in front of the passenger seat, screen cracked but operational. He sliced his finger trying to swipe it open. Cursing, he stuck the bloody digit in his mouth. To his dismay, he discovered that he had no cellular signal. How could he have driven so far away from the party to lose coverage? He checked again, moved the phone in all different directions but it was no use. He wondered, without much hope, if Valerie would be looking for him.

After checking himself over to assess the extent of his injuries, Alex unbuckled the seatbelt and tried the door. The impact had jammed it forward but with a huge shove and a creaking groan, it finally opened. He gingerly stepped out into the snow and looked around. Behind the car, the faint imprint of his spin-out was just perceptible beneath the deep snow cover. Further beyond, was the apparent cause of the accident —a train, stopped on the tracks that crossed the road.

“I must have run through the crossing and nearly made it,” Alex said aloud as he examined the back of the car. Twisted metal and plastic protruded from the wreck. He turned his gaze to the motionless behemoth, its engine quiet, just a residual trail of smoke rising from it’s stack. Smoke? A steam train? “What the…? What is this, some kind of tourist attraction?” Alex muttered as he stared in confusion. “Where is everyone?”

He took a step forward, struggling in the deep snow. “Hello?” he called out. Only the soughing of the trees was the response. A chill not from the cold crept up his spine. He checked the phone and again got only a bloody finger for his trouble. By the time he reached the train, the cold air breathed in through exertion was hurting his lungs and he’d lost the feeling in his feet. Soon, he realized, the cold would turn deadly. He either had to find help here at the train or find a spot where his phone picked up a signal. Surely, the train, even if it was an antique, would have some sort of modern communication system.

As quickly as he could manage, Alex trudged to the front of the train. Finding a step and hand bar to grab onto, he hoisted himself into the engineer’s compartment. The space was empty but fortunately slightly warmer thanks to the coal still burning in the firebox. He saw no electronics, not even a radio that he might use to call for help. Alex took a minute to thaw out and consider his options. He could only assume that the engineers had gone back into the passenger cars to check on the people.

After he’d warmed himself sufficiently, he once again braved the cold and snow to forge a path to the first car. Pulling himself up by the handrail, he pushed the doors open into the compartment. The cold penetrated to his bones as he stared into the blank, frozen eyes of the passengers. Every single one of them was dead. Not just dead, frozen in time. Frozen with newspapers in their hands, teacups raised to their lips, leaning over to whisper in their neighbor’s ear. Nothing in nature could freeze a living, breathing human so quickly. Alex slumped against the doorway of the last car to steady himself. As the cold stiffened his limbs and thickened his blood, his last thought was of Valerie and he wondered if she’d ever forgive him.