Diary of a New Writer 6 – 90,000 words later…

(From The Shining- 1980; Film by Stanley Kubrick, book by Stephen King) 

(For previous diary entries: One, two, three, four and five)

It took me just under a year, but I finished it!  Three Empty Frames came to an end.  The next task was to go back, re-read and polish it up.  At this stage, most successful authors hand the manuscript off to their trusted editors.  I, on the other hand, am a nobody, fumbling along on my own!  What do I do now?  Try and self edit?  Shell out the cash to have a pro take a look?  Decisions, decisions.

I picked option number one.  Why?  Because as a first time, unpublished author, I didn’t feel I had the luxury of going with a pro.  Professional editing can get expensive.  Depending on the length of your document and the level of editing you choose, it can cost several hundred to several thousand dollars.  I did however, have a couple of cards up my sleeve.

One: I knew a guy.  My friend Kevin used to work for a big publishing house and was able to give some needed advice.  He read the book for me and without actually editing, gave me some valuable pointers on polishing it up.  Two:  I knew another guy.  (Yeah, I have a lot of guy friends!)  My friend Brett is an English teacher.  He gave it a once over and pointed out some of the grammatical errors I was making.

Lastly, after I had read, re-read, re-written, and corrected my errors, I handed the finished manuscript off to some beta readers.  What is a beta reader?  The term simply refers to a non-professional reader who will read your manuscript with an eye to finding plot holes, disruptions in continuity, grammar and spelling mistakes agrandpa-23878_1280nd possibly highlighting aspects of the story that might be unbelievable.  The thing with choosing beta readers is this:  make sure they aren’t just going to tell you what you want to hear because they don’t want to hurt your feelings.  You NEED constructive criticism.  So your mom and dad, husband or wife might not be the best choice for beta readers.

Are you in a book club?  Ask your group to beta read for you.  How about an online writer’s group?  Some folks there might help you out.  Ask your blogging buddies here on WordPress to read for you.  Just be sure to choose people who will give you an honest opinion and some thoughtful feedback.  And attach a copyright warning to anything you send out, too.

Finally, when you’ve made changes based on the feedback you’ve received, put the manuscript down.  Walk away.  Take a break and read something else.  Then, after some time has gone by, pick it up and read it through one last time.  There is a point at which, you just need to stop screwing with it and put it out there!  So what next?  Find an agent or self publish?  That’s for next time!

*Disclaimer: This is not an exhaustive how-to for novel writing, just a few things I learned along the way. Also, for those of you who are worried that I’m going to prattle on indefinitely, don’t panic. This series will come to a conclusion after a few more episodes.

Diary of a New Writer 5 -You can’t make this stuff up!

(For past entries of the diary check here:  One, Two, Three, and Four)

*Disclaimer: This is not an exhaustive how-to for novel writing, just a few things I learned along the way.  Also, for those of you who are worried that I’m going to prattle on indefinitely, don’t panic.  This series will come to a conclusion after a few more episodes.

In the last post, I was saying how important it is to choose the right location for your story and to be accurate and consistent in your descriptions.  Well, accuracy and consistency should be maintained in other areas of writing, too.  This means doing your homework.  I’m not going to try and list a whole bunch of sources for you to use as references, because let’s face it, your genre and subject matter will determine the type of research you’ll need to do.   Nonetheless, let’s just take a look at some things you should research, so you don’t get caught looking foolish by your savvy readers.

  1.  Dates and times–  Not exactly research, this is more like record keeping.  Have calendar-159098_1280you ever read a story where everything seems to have happened way too fast?  And you realize it really did?  For example, no one falls in love, gets married and has children in the span of a week or even a month!  Make sure you place appropriate time gaps in the plot and keep track of them.  This is where your timeline spreadsheet is a huge help.  Add in dates where nothing is happening.  It’s perfectly ok to say something like,  “The whole month of October, we waited for a break in the investigation, but by November, the police had exhausted all their leads.”  Now, pick up the action in the beginning of November.
  2. rain-933039_1920Weather– This is sort of related to dates and times in that, if the story is set in a locale where the weather changes with the seasons, your characters might be sweating in the heat of the afternoon, raking the leaves from the front yard, shoveling snow from the walkway, running for the door in the rain, etc.  Remember, you’ll need to dress your characters appropriately.  No one wears a coat in June in Pennsylvania for instance.  Weather.com has all sorts of weather data for cities all over the globe.  It takes a minute to check and make sure.
  3. Transportation–  Maybe I’m the only wacko that this would bother but, check train schedules, bus schedules and flight times for airlines if you are using them.  Does the airline you’re using really have flights into that city?  Are there bus stops on the corner in that part of town?  Here’s an example:  In Seeing Red, my second book, my group of friends goes into Philadelphia to hear a band play at a bar.  Initially, I had the group take the train into the city because I didn’t want them drinking and driving.  I realized, however, that the last train leaves the city at midnight for the suburbs.  That’s too early in the evening for what I wanted to happen upon their arrival back home.  Rather than ignore the fact that the trains don’t run at 2 AM, I changed the action so that one of the friends became the designated driver, allowing them to stay in the city until the bar had closed.  maxresdefault
  4. Historical accuracy–  If you are writing about an actual event or series of events in history, even if it’s only a backdrop to your story, check your facts.  Get the sequence of events straight.  And don’t make up statistics!  Seriously, in this day and age when we have information at our fingertips, there is no excuse for being sloppy!  And it doesn’t have to be exhaustive research, just Google the subject and choose a reliable source.   A word about Wikipedia.  Even if you don’t fully trust Wikipedia, you can use it as a starting point.  The references for their articles are listed at the bottom of the page.   Yes, it’s an extra step, but worth the trouble if you’re not sure.
  5. television-151745_1280Pop culture–  Here’s an area where your story can get a dated feel to it.  Mentioning music, film and TV shows will solidly place your story in a particular time period.  Paris Hilton is so yesterday.  Just saying.
  6. Politics, government and laws–  I can’t speak for other nations around the world, but here in the USA, our laws may vary slightly from state to state.  For example, in Pennsylvania you can’t buy beer or wine at supermarkets and convenience stores (Fascists!), although thanks to Wegman’s, this is beginning to change.  The States all have websites that you can check for the laws in each one.
  7. Culture– This is especially important if you are writing a story set in a country (or even a region of your own country) that may have a different ethnic diversity, political ideology, religion (or lack thereof), standard of living or level of technological development.

Have I covered everything you could possibly need to research?  Not a chance.  I hope at least this was a helpful start.  I guess all I’m saying is, take the time to write the story right.  Inaccuracy ruins a book for me, no matter how great the plot is.  So do your homework, people!  Next time, a few words about proof reading, editing and beta readers.

Diary of a New Writer 4 – Location, Location, Location!

(Here are parts one, two and three, if you missed them)

*Disclaimer:  This is not an exhaustive how-to for novel writing, just a few things I learned along the way.

What does the realtor always tell you when you’re shopping for a home?  Yep.  Location, location, location!  The same is true when considering where to set your novel.  Are you a sci fi or fantasy writer?  Then you have some extensive world building to do.  Planets, terrain, space stations, artificial environments – the components of a fictional world are complex.  This is why I am greatly in awe of writers like Frank Herbert who wrote the Dune series imageand JRR Tolkien, author of The Hobbit and The Lord of the Rings trilogy

World building for a contemporary romantic suspense novel, however, is not such an arduous task.  Nevertheless, there are some things to consider when deciding the location for a novel.

 

  1. How important is the location to the plot?  In other words, could this same story take place anywhere or only in the setting you’ve chosen?  For an overly obvious example, Tony Hillerman wrote about the Navajo Tribal Police on the reservation in the American Southwest.  He could not have set those novels anywhere else.  Duh.
  2. Are you very familiar with the setting you’ve chosen or not so much?  For example, if you live in Dallas, Texas and you set your story in Montreal, Canada, you better be prepared to do your homework.  Now, if you lived in Montreal in the past, you should be fine, but if you’ve never even visited, be careful!  Nothing can ruin a good story like screwing up the details.
  3. Let’s say you decide to set the story in a fictional location.  Not a bad idea.  It gives you a lot of room to get creative.  However, when constructing your locale, you need to be consistent.  You can’t say that the post office is next door to the police station in chapter 1 and then say it’s across the street from the police station in chapter 6.  Make yourself a map, keep a detailed list of the businesses and places of interest in your fictional town or city:  places like restaurants, parks, the city hall, shops and public transportation (if there is any).  image
  4. What about the time period you’re writing in?  Philadelphia in 1776 versus Philadelphia 2015?  Again, do your homework.  My worst nightmare:  having an expert read my book, find the mistakes and blab all about it in an Amazon review!  So don’t be lazy, be thorough!

There are more details to consider, of course, but that’s an overview.  In my case, I decided to go with that old epitaph, I mean adage, of ‘write what you know’ and set my story close to home.

I don’t live right in Doylestown, but I live about 20 minutes away.  D-town is a quaint/hip town with lots of great restaurants and shops.  It has train service to Philadelphia which gave me any easy way to write the city into the story, too.  I used actual businesses and made a few up.  A good rule of thumb is not to write about a real business if you don’t have something nice to say about it.  It you need a crappy restaurant or a nasty shopkeeper, create one and don’t piss off your neighbors!

Anyway, I don’t care who you are, you are not going to possess all the knowledge you’ll need to write your book.  There will be a minimum of research you will need to do.  So what about that research?  Where do you go to find stuff out?  That’s next!

Images courtesy:  wackenhutco.com, ieet.org, buzzfeed.com